gardening and yoga were equally unexpected.
âIâll give you a tour if you like,â said Harry, surprised that Lucy appeared to be taking such a close interest in his books. âThis is the sitting room and through here is the kitchen.â He led the girls into a large, modern and well equipped kitchen.
âWow,â said Isobel. âNot what I would have expected from a bachelor boy!â
Harry smiled sheepishly. âI like to cook,â he said simply. The kitchen was well organised with plenty of worktops and a central island. Racks of herbs and the specialist nature of some of the utensils suggested that Harryâs claim had substance. A double door led from the kitchen into his study. The walls were lined with bookshelves, but only to waist height. The wall space above the bookshelves was hung with paintings and, on one wall, several collections of framed photographs.
Isobel noticed two large oil paintings either side of the fireplace. She went closer to inspect them. They were both nudes, one of a man and one of a woman. The bodies, which were painted from the rear, were superb anatomical studies and seemed to be stepping into the dark canvases. The muscles and sinews of their bodies appeared to have real life in them. âThese are amazing,â said Isobel. âWhere did you get them?â she asked, noticing the small kingfishers painted in the bottom corners of the pictures.
âA friend of mine did them,â he replied. âSheâs called Camilla Holt. Sheâs based in London and becoming rather well known now. Did you spot the kingfishers in the corners?â he asked Isobel. âShe puts one in every painting instead of a signature but theyâre normally much harder to spot.â
âLike Cuneo,â suggested Isobel. âHe always painted a mouse in his pictures. The problem is that once you know where they are, youâre always drawn to them and not to the painting itself.â
Harry laughed. Cuneoâs military paintings were famous and heâd spent many an idle hour looking for mice when visiting different regiments and admiring the pictures in their officersâ messes. Lucy went over to the photographs. Many were clearly taken in Africa, some in the mountains of Nepal and others in Afghanistan. They were mainly of people, close ups of faces, each full of character. The photography was very good indeed and wouldnât have looked out of place in National Geographic .
âDid you take these?â asked Lucy.
âYes,â replied Harry. âIâm a keen photographer as well as a keen cook!â Lucy wasnât sure whether Harry was being deliberately succinct in his answers but she wished heâd add a bit more detail. She was intrigued by him. He seemed to have a depth that she didnât expect in an ex-soldier. People were like onions, she often thought. Getting to know them was like peeling away the layers. It took time but it was invariably worth the effort, even if you eventually decided you didnât like what youâd uncovered. Sheâd tried explaining this to Isobel who, whilst she listened sympathetically, didnât agree. Isobel was a pragmatist and saw the world in black and white terms. She made snap judgements about people based on her first impressions and she seldom changed her mind. Lucyâs other bit of wisdom that Isobel frequently disagreed with was that life was about the journey and not about arriving at the destination. Lucy couldnât remember where sheâd read this but the older she got, the more it struck her as true. Whereas Lucy enjoyed the things that happened to her as she worked towards her goals, Isobel wanted to move on as quickly as possible, impatiently ticking off each milestone before moving on to the next.
Harry gave them a few minutes and then led them out of the study and up a broad wooden staircase to the next floor. âBedrooms and a bathroom,â he