something warm and comforting. But then â she couldnât deny it â holding hands with Rod was having something of the same effect.
Better concentrate on the film, she thought, for the Lord knew, it was exciting enough, with its Salvador Dali dream sequences, and dear handsome Gregory Peck being suspected of murder, and lovely Ingrid Bergman trying to protect him. But why did the pattern of lines upset him? And who was the mysterious proprietor, haunting the mountain slopes? By the end of the thrilling denouement, Lorna found herself quite forgetting to analyse her feelings about Rod and she was just clinging on to his hand like a lifeline.
âOh, Lorna,â he whispered, laughing, as the credits rolled up and the cinema lights came on, âyou werenât scared, were you?â
âNo, of course I wasnât!â she declared, finally loosening her hand from his. âBut I thought it was a terrific picture, didnât you?â
âI did. Just wish we didnât have to come back to reality.â Rod tapped his watch. âMust go home, though. Get ready for this evening. Because, this evening, weâre not going to be late, right?â
âRight. Iâm never going to be late for Luke again, thatâs for sure.â
As they stood at the tram stop in the still falling rain, she glanced at Rod who was looking a stranger with his fair hair so wet it seemed dark. Yet his friendly smile was his all right, and so was the blue-grey gaze he turned on her in the fading December light.
âThanks for a lovely day, Rod. I really enjoyed it.â
âNot over yet. Weâll meet tonight. Maybe go for a drink afterwards?â
âMaybe.â
But already sheâd decided that she wouldnât. Better go carefully, eh?
âVery sensible decision,â Flo told her later. âIt isnât just that you might have problems with Rod if you encourage him, but you could be in trouble with Luke as well.â
âLuke? Whatâs he got to do with it?â
âWell, heâs like a lot of bandleaders â they donât want their musicians getting involved in relationships. Within the band, I mean. Usually falling for the vocalist, of course, and thinking more about her than their playing.â
âI donât see that itâs any business of Lukeâs to interfere in peopleâs private lives.â
âHe reckons it is his business when their private lives affect the performance of the band. Look, donât worry, youâre being sensible about Rod, and weâll hope heâll get the message, eh? There wonât be anything for Luke to complain about.â
âIâll have to admit, Iâm sort of attracted to Rod,â Lorna said slowly.
Flo gave her a long steady look. âYouâll have to make up your mind, then, what you want.â
âWell, itâs early days, isnât it? Iâm just starting out. I have to think of that.â
âQuite right. Stick to concentrating on your career. Find time for Rod later. If he cares for you, heâll wait.â
âI suppose he will.â
âAnd in the meantime, have you thought about what solos you might play? Iâm sure Luke will be asking you soon.â
âSolos? Help, I did say I wanted solos! But what will Josh say?â
âWho on earth cares? Itâs Luke you have to worry about not Josh.â
But Lorna was still really worrying about Rod.
Sixteen
In the weeks that followed, all went well. Better than Lorna could have hoped.
First, there was Christmas and though sheâd been thinking she might not be able to spend it with her mother, Luke having booked the band for a Christmas Eve dance, she did manage to get a train early on Christmas morning which meant she could be home in good time.
âAnd youâve got Christmas Day and Boxing Day?â Tilly asked, looking pleased when they opened their presents together. âI
Jean-Claude Izzo, Howard Curtis