The Museum of Innocence by Orhan Pamuk Page A

and Uncle Sleaze would play backgammon together. When Füsun was between the ages of eight and twelve, and most particularly during the summers, her father often sent her to this man’s shop for soft drinks, cigarettes, or beer; every time she went, Uncle Sleaze would say, “I don’t have the correct change. Why don’t you stay for a while. Let me give you a soft drink,” and having used such pretexts to keep her in the shop, when no one was around he’d find some other excuse (“Oh, look, my poor child, you’re perspiring”) to feel her up.
    When she was somewhere between ten and twelve, there was Shithead-with-a-Mustache, the neighbor who visited in the evenings once or twice a week with his fat wife. Her father liked this man very much, and while the two of them were listening to the radio and chatting, drinking tea and eating biscuits, this man would put his arm on her waist, or her shoulder, or the side of her buttocks, or her thigh and leave it, as if he had forgotten it was there, and all this in a way that no one else could see, so that even Füsun had a hard time understanding what exactly was going on. And sometimes this man’s hand would “accidentally” plop down on her lap, as a wily fruit might arrange to fall into a basket, and there it would quiver, moist and hot, fingering its way, with Füsun staying as still as if there were a crab crawling between her buttocks and her legs, this man all the while drinking tea with his other hand and engaging in the conversation in the room.
    When she was ten, she would ask her father if she could sit on his lap while he was playing cards, and when he said no (“Stop, my girl, I’m busy, can’t you see?”), one of his card-playing friends (Mr. Ugly) invited her onto his lap, saying, “Come over here and bring me luck,” and he went on to caress her in a way that she would later understand to be far from innocent.
    Istanbul’s streets, bridges, hills, cinemas, buses, crowded squares, and isolated corners were filled with these shadowy Uncles Sleaze, Shit-head, and Ugly, who, though they appeared like dark specters in her dreams, she could not bring herself to hate as individuals (“Perhaps it was because none of them ever really shook me to the core”). What Füsun found hard to reckon was that even though one of every two family visitors quickly turned into an Uncle Sleaze or a Mr. Shithead, her father never noticed them squeezing or touching her in the corridors or the kitchen. When she was thirteen, she was convinced that being a good girl obliged her not to complain about this pack of shifty, sleazy, loathsome men with their restless paws. During those same years, when a lycée “boy” who was in love with her (about which Füsun had no complaints) wrote “I love you” on the street, just in front of the house, her father pulled her to the window by her ear to point at the writing and gave her a smack.
    Because so many Shameless Uncles had a penchant for exposing themselves in parks, empty lots, and backstreets, she, like all presentable Istanbul girls, learned to avoid such places. Yet there were inevitably exceptions. One reason that these violations had not strained her optimism was that, even as they all repeated the secret refrain of the same dark music, the malefactors were at the same time eager to reveal their vulnerabilities. There was an army of followers—men who had seen her in the street, caught sight of her at the school gate, in front of the cinema, or on the bus; some would follow her for months on end, and she would pretend she hadn’t noticed them, but she never took pity on any of them (I was the one who’d asked if she had). Some of her followers were not so besotted, or patient, or polite: After a certain interval, they would start pestering her (“You’re very beautiful. Can we walk together? There’s something I’d like to ask you. Excuse me, are you deaf?”), and before long they’d get angry, saying rude things to