The Museum of Innocence by Orhan Pamuk Page B

her and cursing her. Some would walk about in pairs; some would bring along friends to show them the girl they had been following in recent days and get a second opinion; some would laugh lewdly among themselves as they followed her; some would try to give her letters or presents; some would even cry. Ever since one of her followers had pushed her into a corner and tried to force a kiss on her, she had stopped challenging them the way she occasionally used to do. By the age of fourteen, she knew all the tricks that men played and could read their intentions so men could no longer catch her unawares and touch her, and perhaps she no longer fell into their traps so easily, though the streets were never short of men finding imaginative new ways to touch her, pinch her, squeeze her, or brush her from behind. The men who stretched their arms out through car windows to fondle girls walking down the street, the men who pretended to trip on the stairs in order to press themselves against girls, the men who abruptly started to kiss her in the elevator, the men who took with their change an illicit stroke of her fingers—it had been some time since any of them could surprise her.
    Every man in a secret relationship with a beautiful woman is obliged to jealously hear various stories about the various men who were infatuated with, or putting the moves on, his beloved, reports to be greeted with smiles, an abundance of pity, and ultimately contempt. At the Outstanding Achievement Course there was a sweet, gentle, handsome boy her age who was always inviting her to go to the cinema or sit in the tea garden on the corner, and whenever he saw Füsun he was so excited that for the first few minutes he was speechless. One day when she mentioned that she didn’t have a pencil he gave her a ballpoint pen, and he was ecstatic to see her using it to take notes in class.
    At the same college there was an “administrator”—in his thirties, his hair always slick with brilliantine, edgy, obnoxious, and taciturn. He was ever finding excuses to call Füsun to his office, as in “Your identity papers are not complete,” or “One of your answer sheets is missing,” and once she was there, he’d begin discussing the meaning of life, the beauty of Istanbul, and the poems he had published until, seeing that Füsun was giving him not a word of encouragement, he would turn his back on her, gazing out the window, and he would hiss, “You may leave.”
    She would not even discuss the hordes—a woman in one instance—who came to the Şanzelize Boutique and fell in love with her on sight, and went on to buy loads of dresses, accessories, and trinkets from Şenay Hanım. Naturally, I pressed her for more details, and only to placate my curiosity, passing for concern, did she agree to talk about the most ridiculous one, a man in his fifties, short, fat as a jar, with a brush mustache, but stylish and rich. He would chat with Şenay Hanım, now and again pushing long French sentences out of his little mouth, and when he left the shop his cloud of perfume would linger for some time, upsetting Lemon the canary!
    As for the suitors found by her mother through a matchmaker (supposedly without Füsun’s knowing) there was one man she’d liked, who had been more interested in her than in marriage; she’d gone out with him a few times, liked him, and kissed him. Last year, during a music competition among many schools at the Sports Arena, she’d met a Robert College boy who’d fallen head over heels in love with her. He’d meet her at the school gate, and every day they’d leave together, and they’d kissed two or three times. Hilmi the Bastard, however, despite a flurry of dates, she’d not even kissed, because his sole aim in life seemed to be getting girls into bed. She’d felt close to Hakan Serinkan, the beauty contest emcee, not because he was famous, but because, in this place where everyone was conspiring backstage and being openly unfair to