The Naming of the Beasts by Mike Carey Page A

you want her. Her tall, generously curved body becomes the image of the ideal for you, the incarnation of desire. And if you get in close enough to inhale her perfume - her earthy natural musk - then you’re lost.
    There was a time, back when she was just starting out in the business, when we used to share a lot of our cases. You could say that I showed her the ropes, or at least taught her some knots that she didn’t already know, but if I’m honest, what I was mainly doing was trying to domesticate a big, scary jungle predator into behaving like a house cat. It was a bumpy process, with a number of very memorable upsets along the way.
    As I stared at Sue’s battered face, one of them flashed across my memory with sudden and unsettling vividness.
    Juliet and I were mooching our way through a disused factory somewhere out past Gants Hill. It had changed hands at a bankruptcy auction, and the new owners were concerned about the complaints they were getting from residents in the area. People had seen lights and heard noises in the dead of night when it wasn’t Christmas and they weren’t even drunk. So the outfit that had taken possession hired me to give the place a prayer and a sing-song, and I took Juliet in with me because at that point I was still pretending to be her sensei.
    We’d been all through the building once and found nothing more suspicious than some obscene graffiti. It was half past one in the morning, nothing was moving, and we were pretty sure that we were in for a quiet night. So we sat down on a lathe, or maybe a steam press, and I started to rummage through my pockets for a hip-flask full of liquid sunshine which by rights ought to be there.
    But Juliet caught the edge of a scent that shouldn’t be there, and before I could even get comfortable she was off - across two shop floors and a storage hangar the size of the Hatfield Galleria, out onto the yard and in among some prefab packing sheds at the far end of a desolate asphalt apron where a fleet of a hundred vans had once been parked.
    Seven of these sheds were empty. The eighth . . . well, that was empty too, but there was a trapdoor in the floor and Juliet made a beeline straight for it. It was locked, but it didn’t fit all that tightly. She got her fingers in around the edge on one side of the lock plate and started to pull. I went looking for a crowbar, and found one eventually. I also found some stuff I wished I hadn’t, including an inspection pit full of gnawed bones. I had a bit of an inkling now what it was that had been giving the neighbours disturbed nights.
    I took the crowbar back to the trapdoor and started to use it to good effect on the opposite side from where Juliet was tugging, but I think she’d have got there without my help. After thirty or forty seconds the wood of the trap gave a series of gunshot-sharp cracks and she lifted two thirds of it free. The rest stayed attached to the hinges.
    From the bottom of the lightless well we’d opened came a weak, despairing wail, and then another.
    I’d brought a torch with me. I switched it on now and pointed it down into the dark. It lit up a small, terrified face - just for a second, before a hand came up to shield those wide eyes from the sudden, unaccustomed light. I moved the beam to right and left: wherever the spotlight fell, whimpering children ducked and scurried away from it.
    We’d stumbled across a loup-garou ’s larder.
    We looked for a ladder or a rope, but found nothing. The kids, meanwhile, cried and shrieked at the bottom of the hole. I shouted a few reassurances down to them, but clearly this was a conditioned reflex: they knew by now that when the trapdoor opened, someone’s number was up.
    After a terse parley, we agreed that Juliet would stay at the mouth of the pit and keep guard while I went and found some means of getting down into it. I headed for the door, but I was still a few steps short of it when two unsettlingly tall shapes filled it, blocking my