caravanning â or âhitching the wagonâ as Alice called it â without Sam and Bettina. Everything changes, Alice had said, but I think it gets better. Even when it was good to start with.
And now, after a few days that have both dragged and flown, here is Tina, sitting in the Floodsâ kitchen, watching Roddyâs mother Fran take a loaf of bread from the oven, turn it upside down and knock on it. Seeing Tinaâs face, she says, âIf it sounds hollow, itâs done.â
She knocks again, a question on her face, and Tina nods: âI see â well, I hear.â
Fran puts the bread in the middle of the table and sits down next to Tina. âThose boys of mine are always late down. Fred will be asleep in the bath. Roddy will be getting his hair just right for you. Shall we do the crossword while weâre waiting?â
It feels strange to Tina to be here as a guest. Sheâs been in before, of course, running errands for Fred or squashed around the table with the rest of the staff for updates or celebration drinks. During the day this is a working kitchen, an Aga with a dog bed in front of it at one end, piles of papers and catalogues on the table, boots in the corner, dust on the dresser, an unruly crowd of mugs and plates ever growing by the sink. But this April evening, with the heavy curtains half drawn against the apricot sky beyond, lamps lit and the smells of bread and meat and the quiet of a dayâs work done, it feels like a home.
Roddy comes down first, before they are halfway through the across clues. He is wearing jeans and a checked shirt thatâs buttoned at the cuffs, loose at the neck. He is barefoot. Tina is even more glad sheâs refused heels: apart from being out of place on her, they would have been out of place here. She looks at Roddyâs toes. He lost a couple of toenails after a tussle with a new arrival last summer. The horse had stood on his foot while being unloaded from the horsebox; the nail of the big toe on his left foot is half growing back. Tina remembers Ells saying as much as lascivious proof that she had seen Roddy naked; Tina blushes at the memory. Roddy kisses her on the cheek and ignores her blush, or doesnât notice. Tina isnât sure whether ignoring or not noticing would be preferable. She wishes there was a recipe for starting a relationship, or that everyone had the same set of rules. He says, âIâm glad you came.â
âTina brought gingerbread,â Fran says. Sheâs put it on a plate, a long china oval with blowsy roses and a chip on one end. The sticky surfaces of the cake gleam.
âLovely,â Roddy smiles, âI didnât know you could cook.â
âMy mum helped,â Tina says, then wants to bite off her tongue because it makes her sound twelve, not nineteen.
But again, Roddy either doesnât notice or doesnât comment. He just sits down next to her with a tack catalogue. âI was hoping youâd help me choose. We need new flysheets and stable blankets for Snowdrop and Foxglove, at least. Beaâs and Bobâs are getting a bit hard up, too. Thereâs only so long TLC will hold them together.â Tina is sitting on the chesterfield that takes up the wall opposite the dresser. Itâs cracked from the heat at one end, piled with cushions and Whiskers, the ancient cat, at the other, so she and Roddy sit close together in the middle. Most of the horses at the stable are at livery, and their owners provide all of their kit: itâs the Floodsâ own mounts that Roddy is shopping for. Hereâs something Tina can get absorbed in, forgetting that sheâs on a date, let alone a fourth or fifth one, if Sam is right. She and Roddy are comparing the dimensions of different blankets when Fred walks in. Tina makes to stand, but Fred waves her back into her seat. She realizes as she leans back that Roddy has stretched his arm along the back of the sofa. Of
Kevin J. Anderson, Rebecca Moesta, June Scobee Rodgers