closed door and rapped on it, then turned the knob and opened it.
It was a bathroom, also empty.
A clothes closet offered the only other place of concealment. He pulled the door open, calling Marsha’s name, then pressed the dresses and coats back on their hangers to assure himself the girl wasn’t hiding against the wall.
Emerging from the closet, he started toward the door. His eyes were wary, anxious. He stopped with his hand inches from the knob, wheeled and went swiftly to the shaded windows near the head of the bed.
The end of a twisted bedsheet was knotted to the caster and led out the center window. He lifted the shade and found the screen swinging loose on hinges. He thrust his head out and looked down at two twisted sheets tied together and almost touching the ground.
He lowered the shade, turned to look around the room uncertainly, then started talking in a low persuasive voice, “Now, Miss Marco, you mustn’t adopt that attitude. I can’t diagnose your case unless you’re entirely frank with me,” all the while crossing to a littered vanity where a note lay beneath a comb. He picked it up and read:
“I can’t stand this. I’d rather be dead. I’m going where you’ll never see me again.
“MARSHA.”
He folded the note, slipped it into the side pocket of his jacket. Then he explored the drawers of the vanity, lifting his voice a trifle so it would carry across the empty room to the hallway outside.
“I understand, Miss Marco. I’m inclined to feel that your case isn’t quite as serious as Doctor Holcomb intimated. I’ll have to ask you a few more questions.”
He continued a rambling, low-toned conversation, interspersed with frequent pauses, while he carefully rummaged through the room, wondering irritably where the devil a girl like Marsha Marco would keep her handkerchiefs hidden.
He passed over a pink satin folder in the long center drawer at first, but making a second round, he lifted the top and found layers of folded handkerchiefs neatly arrayed, with a couple of tiny sachet bags nestled among them.
He studied each one dubiously, and finally picked up a frilly square of sheer linen that looked an exact duplicate of the one he had taken from Grange’s lifeless fingers. Closing his eyes, he sniffed the delicate fragrance, trying to remember the scent of the other handkerchief, realizing with deep disgust that he was probably the poorest connoisseur of perfume in the world.
He had a hunch that it was the same perfume, but it was no more than a hunch.
A hard lump beneath the handkerchief folder attracted his attention. Lifting the holder, he stared down at a .32 automatic. He took it up and smelled the muzzle, getting only an odor of oil which indicated the pistol had been cleaned since last being fired.
He slid the automatic and handkerchief into his jacket pocket, closed the folder and replaced it, moved to the center of the room where he stood in scowling indecision for a moment, then stepped noiselessly to the clothes closet where he looked through the hangers until he found a light silk jacket. On a shelf was a small felt toque to match.
He unbuttoned his shirt and slid those two articles of Marsha’s wearing apparel down in the front, distributing them so they would not bulge, then went toward the door, saying aloud, “I understand perfectly, Miss Marco. I’ll have a consultation with Doctor Holcomb, and I’m sure you’ll begin to respond to treatment at once.”
He opened the door as he finished the sentence, turned to block the entrance with his body and said, “Good day, Miss Marco,” and closed the door firmly behind him.
The maid was standing close to the door, twiddling the key, a curious look of uncertainty on her broad, stupid face.
“Is she—she’s awake, huh?”
“Partially.” Shayne watched her alertly from beneath drooping eyelids. “She’s not quite herself, I’d say. Don’t disturb her until she calls.”
“Yessir.” The maid was
George R. R. Martin and Melinda M. Snodgrass