The Revenge of the Dwarves by Markus Heitz Page A

gifts.
    There was another reason he had been obliged to give up his theater in Porista: the face he had been seeking in the crowd. The face of Furgas.
    The friend who had been his companion on those long theater tours was in despair over the death of his beloved Narmora and had completely disappeared since the victory over the eoîl and the conversation they had subsequently had with Tungdil.
    That was five cycles ago now.
    Since that time Rodario had been traveling through the Girdlegard kingdoms, doing the same thing in each town, village or hamlet he passed through: He asked about Furgas and showed people the likeness he had had made. Without success.
    But he was not giving up. Not in Storm Valley, where his enquiries had been met with shaking heads when he showed the miniature portrait of his friend in the inns and in the marketplace and at the town gates.
    Rodario was very worried about his lost companion. Then there was the problem of the various pieces of complicated apparatus Furgas had invented and which Rodario used in all his performances, strapped to his body: burlapseed slings to shoot balls of fire, little leather bags where the black paper flowers waited, and all sorts of other containers for powders. These were such ingenious contraptions that they let him appear in the eyes of his audience like a magus—they formed the core of his whole act. He was afraid of the day that must come when one of these trusty utensils might give up and need repair. He had always managed to cope with small defects in his props, but patching up was not always going to work.
    So Rodario returned to where his troupe had set up camp, that familiar feeling of disappointment with him again. He would get over it. Back on stage he could act away his worries and forget them. The crowd loved him and thought of him as the merry showman, always bright and ready with a quip, because they had no way of seeing behind the mask.
    The performance ended in triumph and in one of the colossal thunderstorms that gave Storm Valley its name and which tested the strength of the marquee’s guy-ropes to the utmost. The fabric billowed in and out, giving the audience the impression they were sitting inside some extremely unsettled intestines. Hardly had the applause died away than the audience rushed back to town for home and shelter. The sales of eoîl-breath in the little flacons could have gone better.
    Rodario retired to his personal caravan with its mystical designs painted on the walls. This was where he prepared for his act before each performance and where he counted the takings after it. The coins were stacked on the traveling actor’s make-up table. Little by little, we’re getting there, he thought. It’s a living.
    He was still wearing the robe he always used; it had been his in Porista when, as a “Magus,” he had used the name Rodario the Incredible. The tricks intended to confuse his enemies had now been downgraded to stage props. He took his make-up off and unstrapped the various trick devices from his body.
    He poured himself some wine, drank it and took a look in the mirror; in the lamplight his face was much older now. “Every wrinkle is a cycle of worry.” He toasted Furgas’s picture. “May you be safe and well, old friend, until I can find you. Who could compete with your masterful ingenuity?” He gulped down the wine, not hearing the knock at the door at first.
    “I’m asleep,” he called out crossly when the knocking did not stop.
    “That’s good. Let me bring you a nightmare, flatterer.” A man’s voice. The door burst open, sending up clouds of dust. On the threshold was Nolik with two men behind him. They all bore cudgels.
    “Awake already, my strong friend. What is the hurry? I would have opened the door for you.” Rodario jumped up, grabbing his sword. “This is a real weapon, Nolik,” he warned, tossing the hair back out of his eyes. “Don’t force me to give it your blood to taste.”
    “Hark at that