waiting.â
It was probably only a five minute walk to the hotel, but Harvey was determined to do this in style. The lobby was a crush and not much better outside and he was anxious not to lose his mother. As he looked around he found himself staring at a familiar face just as the face was staring at him.
âLady Graham!â
âMr Mudd!â
He was surprised she had remembered his name.
âWaiting for your driver?â
âNo, a taxi.â
âHow many are you? I have a car here somewhere I hope.â
âI am on my own.â
âWell you must certainly let us give you a lift. This car of mine, if I can find it, is costing me a fortune!â
Frances Graham threw her head back and laughed. She was not used to being amongst people who were concerned about the cost of things, especially hired cars.
As Harvey stared through the crowd at the traffic jostling for position in front of the opera house, their limousine came into view. The large tip he had already handed over was working its magic. Quite unperturbed by the cussing and honking, the driver got out and held the door open for his customers.
âIn you go, dear,â Sylvia instructed and followed Frances, leaving Harvey to take one of the seats facing them. âThis is fun!â she said.
âAl Grand, signore?â the driver asked. âHotel, yes?â
âIf you donât mind, dear. Itâs been a long day for me.â
âOf course not,â Frances told her.
âSo where are you staying?â asked Harvey. âI am sure the driver would be happy to take you anywhere you wanted.â
âA flat near the Piazza dei Volontari. I donât think it is too far.â
âNon lontano â not far,â confirmed the driver. â Ed ecco il Grand Hotel . We arrive!â
âMother, this is Lady Graham.â
âFrances, please!â
âWell itâs very nice to meet you, dear. Now, Harvey, you must see this lady home. Iâll be quite all right.â
Harvey excused himself and took his mother inside. But she was unusually firm and told him to get right back out as she wanted to sit in the lobby for a bit and watch the people, and yes, she was quite capable of getting the key to her room without him.
Harvey slipped into the back seat beside Frances and the driver moved off. He could smell her scent and felt intoxicated.
âThat was a wonderful production,â she said. âI am told Carlos Kleiber is a hard man to work for, but what a perfectionist!â
âI read that his family left Austria for South America in 1940, at the start of the Second World War. He was called Karl then.â
âYes,â she answered. âSuch disruption. None of us really knows what lies around the corner, do we?â
âI suppose not,â he agreed.
âPretty,â she said looking out of the window, âbut not half as lovely as Rome!â
âAh, but the Milanese make the money. The Romans only know how to spend it!â
âA characteristic of the cultured class!â she laughed.
âDo you often go to the opera on your own?â he questioned.
âQuite often. David, my husband, does not really like it. So ratherthan have him next to me fidgeting, I prefer to go alone or with a girlfriend.â
âAnd to Milan?â
âThis is only my second visit. David had a meeting here, so I thought I would make the most of it.â
âWhat does your husband do, if you donât mind me asking?â
âHeâs a soldier, mostly. But he and his friends always have some scheme on the go. I tend to stay clear of all that.â
âSounds interesting!â
She just shrugged.
âYouâre a journalist, arenât you, Mr Mudd?â
âHarvey, please. Yes, with The Sentinel .â
âThatâs George Gilder, isnât it?â
âYou know him?â Harvey asked, somewhat surprised.
âYes, heâs
John Steinbeck, Richard Astro