I'd been looking through someone else's prescription lenses too long.
I groped along the windowsill until I found the business card from Julie Kearnes' wallet.
The words on it hadn't changed.
LES SAINTPIERRE TALENT MILO CHAVEZ, ASSOCIATE
Milo's wad of fifties was still there, too, not much lighter for my night on the town.
Finally I got up, did the Chen long form in the backyard, then showered and made migas for myself and Robert Johnson.
I checked the latest Austin Chronicle. Miranda Daniels was scheduled to start at the Cactus Cafe at eight P.M. After doing the dishes, I called my brother Garrett and left a message telling him surprise, we had plans tonight. I love my brother. I love having a free place to sleep in Austin even more.
I tried Detective Schaeffer at SAPD homicide. Schaeffer wasn't in. Milo Chavez wasn't in either.
I peeled off a stack of Milo's fifties, enough for my October rent, and left it in an envelope on the counter. Gary Hales would find it. Maybe, if things went well between now and next Friday, I would be able to spring for November too. But not yet.
I left extra water and Friskies on the kitchen counter and a piece of newspaper where Robert Johnson would, inevitably, throw up when he realized I was gone overnight.
Then I headed out for the VW.
I hit Austin just after noon and spent a few more fruitless hours visiting Les SaintPierre's hangouts, talking to people who hadn't seen him recently. This time I claimed to be a songwriter trying to get my tape to Les. I told everybody I had a great new surefire hit called "Lovers from Lubbock." I found it difficult to generate much excitement.
After a late lunch I swung by Waterloo Records on North Lamar and found a Julie Kearnes cassette from 1979 in the bargain bin. I bought it. There were no recordings by Miranda Daniels yet. There were quite a few CDs in the Texas Artist section on Sheckly's Split Rail label—such household names as Clay Bamburg and the Sagebrush Boys, Jeff Whitney, the Perdenales Polka Men. I didn't buy them.
I drove north on Lamar, right on Thirtyeighth, into Hyde Park, following the route I'd taken last week on surveillance. I turned left on Speedway and parked across the street from Julie Kearnes' house.
The Hyde Park neighbourhood is not quite as snooty as the name implies. It's equal parts college kid, aging hippie, and aging yuppie. It's got its share of bad elements—sleazy Laundromats, dilapidated student housing, Baptist churches. The streets are quiet, shaded by live oaks, and lined with quaintly rundown 1940s starter homes.
Julie Kearnes' place was just rundown, not quaint. Back in the sixties it had probably been what my brother Garrett called a "hobbit house." Above the door a round stainedglass peace sign window was now grimy and broken, and the comets and suns that had once been painted along the trim of the roof and windows had been thinly whitewashed over. The yellow front lawn was shaded by a pecan tree so infested with web worms it looked like a cotton candy stick. About the only thing that looked well tended was Julie's planter box underneath the livingroom window, full of purple and yellow pansies. Even those were starting to wilt.
Afternoon traffic on Speedway was heavy. An orange UT shuttle went by. Ford trucks with lawn mowers and rakes and whole Latino families in the back cruised for unkempt front yards. A good number of seventies Hondas and VW bugs puttered down the street with peeling bumper stickers like UNREAGANABLE and HONOR THE GODDESS.
Austin, the only city in Texas where my car is inconspicuous.
Nobody paid me any attention. Nobody stopped at the Kearnes residence. If the police had been here they hadn't left any obvious sign.
I was about to cross the street and let myself in when a guy stuck his head in my passenger's side window and said, "I thought that was you."
Julie's acrossthestreet neighbour had horse like features. He smiled and you expected him to bray or nuzzle you for a
I groped along the windowsill until I found the business card from Julie Kearnes' wallet.
The words on it hadn't changed.
LES SAINTPIERRE TALENT MILO CHAVEZ, ASSOCIATE
Milo's wad of fifties was still there, too, not much lighter for my night on the town.
Finally I got up, did the Chen long form in the backyard, then showered and made migas for myself and Robert Johnson.
I checked the latest Austin Chronicle. Miranda Daniels was scheduled to start at the Cactus Cafe at eight P.M. After doing the dishes, I called my brother Garrett and left a message telling him surprise, we had plans tonight. I love my brother. I love having a free place to sleep in Austin even more.
I tried Detective Schaeffer at SAPD homicide. Schaeffer wasn't in. Milo Chavez wasn't in either.
I peeled off a stack of Milo's fifties, enough for my October rent, and left it in an envelope on the counter. Gary Hales would find it. Maybe, if things went well between now and next Friday, I would be able to spring for November too. But not yet.
I left extra water and Friskies on the kitchen counter and a piece of newspaper where Robert Johnson would, inevitably, throw up when he realized I was gone overnight.
Then I headed out for the VW.
I hit Austin just after noon and spent a few more fruitless hours visiting Les SaintPierre's hangouts, talking to people who hadn't seen him recently. This time I claimed to be a songwriter trying to get my tape to Les. I told everybody I had a great new surefire hit called "Lovers from Lubbock." I found it difficult to generate much excitement.
After a late lunch I swung by Waterloo Records on North Lamar and found a Julie Kearnes cassette from 1979 in the bargain bin. I bought it. There were no recordings by Miranda Daniels yet. There were quite a few CDs in the Texas Artist section on Sheckly's Split Rail label—such household names as Clay Bamburg and the Sagebrush Boys, Jeff Whitney, the Perdenales Polka Men. I didn't buy them.
I drove north on Lamar, right on Thirtyeighth, into Hyde Park, following the route I'd taken last week on surveillance. I turned left on Speedway and parked across the street from Julie Kearnes' house.
The Hyde Park neighbourhood is not quite as snooty as the name implies. It's equal parts college kid, aging hippie, and aging yuppie. It's got its share of bad elements—sleazy Laundromats, dilapidated student housing, Baptist churches. The streets are quiet, shaded by live oaks, and lined with quaintly rundown 1940s starter homes.
Julie Kearnes' place was just rundown, not quaint. Back in the sixties it had probably been what my brother Garrett called a "hobbit house." Above the door a round stainedglass peace sign window was now grimy and broken, and the comets and suns that had once been painted along the trim of the roof and windows had been thinly whitewashed over. The yellow front lawn was shaded by a pecan tree so infested with web worms it looked like a cotton candy stick. About the only thing that looked well tended was Julie's planter box underneath the livingroom window, full of purple and yellow pansies. Even those were starting to wilt.
Afternoon traffic on Speedway was heavy. An orange UT shuttle went by. Ford trucks with lawn mowers and rakes and whole Latino families in the back cruised for unkempt front yards. A good number of seventies Hondas and VW bugs puttered down the street with peeling bumper stickers like UNREAGANABLE and HONOR THE GODDESS.
Austin, the only city in Texas where my car is inconspicuous.
Nobody paid me any attention. Nobody stopped at the Kearnes residence. If the police had been here they hadn't left any obvious sign.
I was about to cross the street and let myself in when a guy stuck his head in my passenger's side window and said, "I thought that was you."
Julie's acrossthestreet neighbour had horse like features. He smiled and you expected him to bray or nuzzle you for a
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