the wind's twelve quarters by Ursula K. Le Guin Page B

for it, boy.” They looked at each other for a moment, the little round boy and the hard splendid youth; then Rikard turned and strode on, while Dicky wandered back down the hills, silent and disconsolate. He heard his mother’s voice from far away to the south, and tried to answer; but the wind blew his call landwards, and the familiar had disappeared.  
    The bronze gates of the city swung open as the troop approached. Watchdogs bayed, guards stood rigid, the people of the city bowed down as Rikard on his horse clattered at full gallop up the marble streets to the palace. Entering, he glanced up at the great bronze clock on the bell-tower, the highest of the nine white towers of the palace. The moveless hands said ten minutes of ten.  
    In the Hall of Audience his father awaited him: a fierce grey-haired man crowned with iron, his hands clenched on the heads of iron chimaeras that formed the arms of the throne. Rikard knelt and with bowed head, never looking up, reported the success of his foray. “The Exile was killed, with the greater part of his men; the rest fled in their ships.”  
    A voice answered like an iron door moving on unused hinges: “Well done, prince.”  
    “I bring you a seagift, Lord.” Still with head bowed, Rikard held up the wooden box.  
    A low snarl came from the throat of one of the carven monsters of the throne.  
    “That is mine,” said the old king so harshly that Rikard glanced up for a second, seeing the teeth of the chimaeras bared and the king’s eyes glittering. “Therefore I bring it to you, Lord.”  
    “That is mine—I gave it to the sea, I myself! And the sea spits back my gift.” A long silence, then the king spoke more softly. “Well, keep it, prince. The sea doesn’t want it, nor do I. It’s in your hands. Keep it— locked. Keep it locked, prince!”  
    Rikard, on his knees, bowed lower in thanks and consent, then rose and backed down the long hall, never looking up. As he came out into the glittering anteroom, officers and noblemen gathered round him, ready as usual to ask about the battle, laugh, drink, and chatter. He passed among them without a word or glance and went to his own quarters, alone, carrying the box carefully in both hands.  
    His bright, shadowless, windowless room was decorated on every wall with patterns of gold inset with topazes, opals, crystals, and, most vivid of all jewels, candle flames moveless on golden sconces. He set the box down on a glass table, threw off his cloak, unbuckled his swordbelt, and sat down sighing. The gryphon loped in from his bedroom, talons rasping on the mosaic floor, stuck her great head onto his knees and waited for him to scratch her feathery mane. There was also a cat prowling around the room, a sleek black one; Rikard took no notice. The palace was full of animals, cats, hounds, apes, squirrels, young hippogriffs, white mice, tigers. Every lady had her unicorn, every courtier had a dozen pets. The prince had only one, the gryphon which always fought for him, his one unquestioning friend. He scratched the gryphon’s mane, often glancing down to meet the loving golden gaze of her round eyes, now and then glancing too at the box on the table. There was no key to lock it.  
    Music played softly in a distant room, a ceaseless interweaving of notes like the sound of a fountain.  
    He turned to look at the clock on the mantle, an ornate square of gold and blue enamel. It was ten minutes of ten: time to rise and buckle on his sword, call up his men, and go to battle. The Exile was returning, determined to take the city and reclaim his right to the throne, his inheritance. His black ships must be driven back to sea. The brothers must fight, and one must die, and the city be saved. Rikard rose, and at once the gryphon jumped up lashing her tail, eager for the fight. “All right, come along!” Rikard told her, but his voice was cold. He took up his sword in the pearl-encrusted sheath and buckled it on, and the