wistfully, as of something lost, his tone betrays no pain, no plea for consolation.
âWhat would you like me to call you?â Yasmin says.
He thinks for a moment. âYou ask Penny the same question?â
She nods.
âAnd she say?â
âPenny.â
âWell, itâd be nice if you call me uncle, but I guess Cyril is probably the best idea. Or Manager.â
âI prefer Cyril.â
âCyril, then.â He smiles shyly at her and runs his hand â a small, soft hand â along his bare pate, as if brushing flat his extinct hair. His eyes squint behind the thick lenses of his glasses, the right eyeball dancing briefly off-centre.
Yasmin returns the smile but looks away from the unsettling eyeball: to the back of the house and its large second-floor balcony supported by two concrete pillars; to the roof of galvanized iron, red with rust; to the iron pole rusted bronze that rises from one corner of the roof in support of a television antenna. To the land sloping away to the fence â the only thing with the gleam of newness â and beyond it the sudden ending of the land at water.
Yasmin says, âWhat are you manager of?â
âWas. The estate, when there was one. And Ramâs campaigns.â
âAnd now?â
âOh, I try to keep things together, make sure they donât fall apart too much.â He pauses, as if in thought. âIs not too much, really. You play the hand youâre dealt. You know.â
Yasmin lets her gaze wander across the bay. âItâs a lovely view.â
âIt is?â He laughs quietly, as if in embarrassment. âGuess when you see something every day you stop seeing it for what it is.â His gaze follows Yasminâs, and after a moment he says, âYes, is a lovely view. Shakti always liked it. Is too bad she never see it again. I was in two minds, you know, about you two leaving, back then.â
âMom always said she chose to leave because it would have been dangerous for us to stay.â
âSome people thought so.â
âYou didnât?â
âWas hard to tell. Maybe yes, maybe no. So I opt for prudence, nuh. The Canadians were very accommodating. More than the British. Hardly surprising. Things moved fast.â
âIâve always wondered why my mom didnât seem to have much in the way of mementoes. Photos, stuff like that.â
âI think she jusâ took a couple oâ little things with her. Couldnâ tell you what, though. After all, as you well know, it wasnâ suppose to be forever.â
âWhat do you mean?â
âShe didnâ tell you? You were suppose to stay in Canada for a few months, till things settled down, nuh. Then come back quietly. But when it was time, Shakti said she wasnâ ready, she needed a little more time, and a little more time. Always a little more time. And is only now she come back, with you.â He glances at her â in disbelief, in discomfort. âShe never tell you any oâ this?â
Yasmin shakes her head. âNot a word.â And the implication of possibility not chosen causes her heart to race in bewilderment.
After a moment, he takes her by the arm, a touch as light as air. âCome, chilâ,â he says. âLetâs go inside. Penny must be ready.â
And it is only because of the gentleness of his manner that Yasmin allows herself to be led.
Penny is sitting in the porch when they return. She gestures Yasmin to an easy chair. âYou enjoy your little walk?â
âItâs a lovely place. So peaceful.â
On a round brass table, in the centre, is a silver platter heaped with Indian sweets both familiar and unfamiliar. Yasmin recognizes the
kurma,
the golden
jilebi
â which she has always thought of as honey-drenched pretzels â and the white rectangles of
laddoo.
But she doesnât know the large yellow balls, or the smaller fried ones.
Cyril,
Norah Wilson, Heather Doherty