shifting again, he turned in another direction. What had been near flitted away before he could fix it with a gaze.
âTheyâre spreading?â Gabrielle said.
âThe more people they lull, the more screens they need.â
âMust be billions up there,â Santiago said.Â
âAll done without CGI,â Gabrielle said.Â
From below they heard applause ripple.
This clapping seesawed upwards. The children had the sensation that they stood over a great ocean and its churning. Laughter followed the applause. Up came the words: âMore, more.â
*
A shadow formed up beside them.
 âImpressive,â Adina said.
As the children shouted her name, she was already dowsing her torch and reaching for their hands, while turning from the valley of images to Tomas. She wore a cloak with a hood. He reached out for her with his toon hand, but he knew instantly that she wasnât the presence he had felt. In a way he expected her to be there. He had from the beginning picked up the thread of her bravery. No, something else hovered close, disappearing when he tried to find it, vanishing when he wanted to make it known to his eyes. It was something that didnât want to be known directly.
âAdina . . . â
It was the first time heâd said her name aloud. When he did so it had power, and it gave form to feelings stirring in him.
âYou didnât think you could do this without me, did you?â she said.
âHow did you make your way through the forest?â Santiago asked.
âSilly. She followed our steps. We must have left our mark everywhere we went,â Gabrielle said.
âLike a thread through a labyrinth.â Adina recalled that old story. This time it was the children who had provided the path. Sheâd observed that from the murky imprints in the unstable earth. Their smaller steps had been ahead of the knightâs.
âInteresting special effects back there,â she said. âLike Halloween on drugs.â The words from her former world often erupted in the present.
âLook.â Gabrielle swayed then passed one hand turned flat, palm open, over the glowing scene beneath them. To her brother her gesture looked like a blessing and a steadying motion.
*
Their eyes grew accustomed to the bewitching light. Gradually they made out figures on the screen.
They faced what humanity had become. Gabrielle and Santiago had grown up with images on vibrant surfaces. Now they saw there was no depth, though there was height and width. People swept across planes like flatfish in waves. No risings, no fading, just an endless streaming.
They thought they heard a word from the screen. But they couldnât be sure.
What word did they hiss? What word had been permitted to them?
âYes.â
All four on the brink of the valley finally heard it.
âYes.â
It was no affirmation. There was no joyous excitement. It was a levelled âyesâ said to everything. It was the one word the wizard had come to permit.
âYes,â came the hiss.
Excruciating to the childrenâs ears, more a screech than a comfort, it was a flattened word, meaning nothing.
*
In the camp of light and shadows the cloud felt cramped.
Pluta had the sensation, inexplicable and invasive, that his realm was hemmed in by a strange border.
He swirled around. What was near? His breath became wheezy. The cloud turned a sullen colour. No one can fence the wind. Yet he had the sensation again that another power encroached.
âItâs him.â
He drew out the words in a sustained gasp.
âHow did he get so close?â
Dangerously, the knight was learning at faster speeds. He had his invisible shield of protective emotion to filter or deflect transmissions and receptions.
The cloud wondered if the toons had become so mesmerized by the flat-screen images that they no longer paid attention to any portion of the world. Even if the world was