it and hand it over to Her Majesty?’
Sidney laughs. ‘I’m sure that’s exactly what they plan to do with it. But you should hear the stories they tell about what else Drake brought back with him.’
‘Such as?’
‘Books written by the hand of the Devil, birds with feathers of real gold, young women with two heads who give birth to children that are half-dragon, half-man. The sort of things everyone knows they have on the other side of the world.’
‘Oh, those. Where is Drake supposedly keeping this diabolical menagerie?’
‘I don’t know. I suppose they think that’s what Dunne was being paid to find out.’
We follow the street along the quayside by the row of limewashed houses and taverns facing the water. Suddenly Sidney elbows me in the ribs and nods to the path ahead, where two well-dressed young women are walking towards us arm-in-arm, followed at a discreet distance by a manservant. One is tall, with red-gold curls pinned back under a French hood, the other darker, with pale skin and strong brows. From their glances and shared whispers it is clear that they have also noticed us. Sidney is about to embark on an elaborate bow, when one of the ladies cries out, her hand flying to her mouth; she is not looking at us but beyond, to the harbour wall. Wheeling around, I see one of the boys who was fighting; he is calling urgently and pointing down. The smallest of his companions has fallen from the quay into the water, where he flails and splutters, attempting to cry out.
‘It’s my brother, he can’t swim. I never meant to push him in,’ squeals the boy on the quay, hopping up and down and flapping his hands.
The blond head in the water sinks below the surface, bobs up again in a brief frenzy of foam, then disappears. Without thinking, I tear off my doublet and plunge in, fighting to open my eyes in the murky water, my ribs jarring at the shock of the cold. At first I can see no sign of the child, then I look down and see his little body sinking in a silver chain of bubbles, his smock shirt billowing around him. I surge forward and grab at his waist, dragged back by the weight of my wool breeches in the water; he is surprisingly heavy, but once I break through the surface, gasping at the air, it is not far to the wall. Hands reach out to lift the boy; he is laid on the cobbles, while one of the fishermen bends his ear over the boy’s face. I haul myself on to the quay and kneel on the stone to recover my breath, water coursing from my clothes and hair. The boy lies there, unmoving; the man beside him tries shaking him to provoke a response.
‘Is he dead?’ wails the child who pushed him, clawing at his shirt in anguish. ‘Mother will kill me.’
‘Here.’ I kneel beside the boy and press hard several times on his chest. ‘I have seen this done in Venice, when a boy fell in a canal.’ The child promptly raises his head and vomits over the shoes of the man beside him, who lets out a surprised curse and cuffs the older boy round the head.
‘Do that again, you little bugger, and I’ll throw you in after him,’ he says, as the boy howls even louder. ‘Give us all a fright like that. If this gentleman hadn’t been so quick you’d have lost your brother, and I wouldn’t have liked to be the one to tell your mother her darling was gone.’
It strikes me that this distinction may have prompted the boy’s desire to push his brother in the first place, but I keep silent. The fisherman turns to me. ‘Thank you, sir. My nephews – always scrapping where they shouldn’t be. Their mother’s a widow. If you hadn’t been here – I can’t swim myself, see.’ He glances back at the murky water with a grimace. ‘Amos Prisk, sir. That’s my boat there.’ He points, then wipes a hand on his smock and holds it out to me. He has a firm grip, though somewhat slippery. I try not to think about fish guts. ‘I would stand you a drink, only my sister’s not back from the market with the day’s