parfumeur in Provence. An extravagant affectation, but fuck it, he had the money. Why not? He liked good smells.
The scent was voluptuous, hints of sweet wood, fleshy depths of forest mushrooms, the warm, spicy tang of pine, lavender and sage. A pathetically small victory in the face of the leverage that Novak wielded on him, but he would cling to any minor triumph.
Three more days of safety for Imre’s finger, for a vial of perfume.
He rubbed some on his skin, inhaled. His body was too cold to release the scent, and the inside of his nose felt frozen solid, but still, he smelled it, just barely, and the earthy, sensual essence warmed him.
It made him think of Tamara Steele. The way her red lips curved in that secret smile in the evening gown photograph. The picture of her in the black dress, wildflowers in her outstretched hand. Lavender and daisies. Her pale, beautiful face, filled with ancient sadness.
But the image of Imre’s mutilated hands battered at him.
He was unaccustomed to the sensation of fear after years of cultivating detachment. It was intensely unpleasant.
If they killed Imre, that was it. There was no other reason for Val to remain even remotely human.
You are a whining dog begging for scraps.
True. His stock portfolio had a net worth in the millions now, and look at him, still living on scraps. A chess game every few years. Distant memories of egg and bread fried in butter, Socrates and Descartes, Bach inventions played on the grand piano. That lumpy, dusty old divan.
And soon enough, a mossy grave in the cemetery with Imre’s name carved on it.
Scraps. All that he would ever be allowed to have.
Chapter
5
T am muttered something foul in some half-remembered language as she tore off her goggles. She wiped her hair back off her sweaty forehead and flung down the troublesome pendant with disgust.
She hated it. The colors weren’t melding. She had envisioned a tangle of bronze and green-tinged copper clockwork bits layered with delicate filigreed gold to hide the mechanism that housed the little hypodermic, but it wasn’t fitting together right, and the semi-precious stones she’d chosen looked dull and blah. The piece didn’t throb or hum, or whisper seductive, ominous things; it had no menace, no driving intensity, no sex appeal. It was a necklace that a funky college girl with a pierced nose might buy from a pothead vendor in a Seattle open-air market for fifteen bucks. Not Deadly Beauty.
She was losing her touch, her eye, her concentration. In a word, everything. Lack of sleep, maybe. Not that she’d ever slept much.
The light over the door strobed. Rosalia was intercomming her. She pulled off the earphones, thinking wistfully of the twelve-hour-long trances she used to go into to work. Absolute concentration, no distractions. Miles inside the sweet privacy of her own twisted mind.
Those days were gone. And she had no one to blame but herself.
She stabbed the button that stopped the savagely melancholy Spanish gypsy lament howled out by broken wine-and-cigarette-roughened voices. A sentimental choice. Unusual for her. Usually she went for hard rock. Something feverish and raucous, to burn out the fog in her head and help her get to the faraway place where the images of the jewelry came to her, glowing and glittering and
twisting in her mind.
She hit the intercom. “Yes, Rosalia? What is it?”
“A visitor,” Rosalia replied, in her native Brazilian Portuguese. “The red Volkswagen. I think it is the dark lady with the boy baby.”
Tam dropped her face into her hands. No. Please. Not Erin again.
It had only been a week since the last concerned visit, full of great examples of beatific madonna-style mothering and tit-sucking and cooing and crooning and gentle, well-meant, incredibly irritating advice.
She tossed down the goggles and punched up the security program onto her studio computer monitor. Sure enough. There was Erin’s red Volkswagen Bug, parked outside the
Marion Faith Carol J.; Laird Lenora; Post Worth