the doom you merely parrot, and yet die in hope?”
The bird waddled forward, firelight spraying off its folded wings. “That is not given to me,” it said. “It will not be given to you, if you fail the real task implicit in this war: fear the geteit chemosit; travel at once to the tower of Cellur, which you will find —”
Filled with a horrible depression, Cromis dropped the shards of his sword and left the fire. From his saddlebag he took his curious Eastern instrument. He bit his lip and wandered past the picket line and the perimeter guards. With death in his head, he sat on a stone. Before him, huge loops of sand-polished girder dipped in and out of the dunes like metal worms. They are frozen, he thought: caught on a strange journey across an alien planet at the forgotten end of the universe.
Shivering, he composed this:
Rust in our eyes . . . metallic perspectives trammel us in the rare earth north . . . we are nothing but eroded men . . . wind clothing our eyes with white ice . . . we are the swarf-eaters . . . hardened by our addiction, tasting acids . . . Little to dream here, our fantasies are iron and icy echoes of bone. . . . rust in our eyes, we who had once soft faces.
“Rust in our eyes—” he began again, preparing to repeat the chant in the Girvanian Mode, but a great shout from the camp drove it out of his skull. He jumped to his feet.
He saw the metal bird explode into the air, shedding light like a gun-powder rocket, its wings booming. Men were running about the encampment, casting febrile shadows on the ancient walls. He made pitiful grabbing motions at his empty scabbard, hurrying toward the uproar. Over a confusion of voices he heard Grif bellow suddenly:
“Leave it alone! Oh, you stupid pigs, leave it alone!”
Obsessed by his fantasies of an alien world, Cromis was for a moment unable to identify the dark, massive shape fidgeting and grunting in the gloom of the dead building. Drawn out of the inhospitable dunes by the warmth or the light and surrounded by men with swords, it seemed to be mesmerised and bemused by the fire—a lean, heavy body slung low between queerly articulated legs, a twenty-foot denizen of his own imagination.
He was almost disappointed to recognise it as one of the black reptiles of the waste, huge but harmless, endowed by the folklore of Viriconium with the ability to eat metal.
“Big lizard,” muttered one of Grif’s brigands, with sullen awe. “Big lizard.”
Cromis found himself fascinated by the flat, squat head with its wicked undershot lower jaw and rudimentary third eye. He could discern none of the spines and baroque crests traditional in illustrations of the beast, simply a rough hide with a matte, nonreflective quality.
“Pull back,” ordered Grif, quietly.
The men obeyed, keeping their weapons up. Left to itself, the reptile closed determinedly on the fire: finally, the flames leapt, perfectly reflected, in each of its eyes. There it stood for some minutes, quite still.
It blinked. Cromis suspected that whatever sluggish metabolic desires the fire had aroused were unfulfilled. Laboriously, it backed away. It shuffled back into the night, moving its head slowly from side to side.
As his men turned to follow, Grif said sharply, “I told you no . Just leave it be. It has harmed nothing.” He sat down.
“We don’t belong here anymore,” he said.
“What do you suppose it saw in there?” Cromis asked him.
Two days out into the barrens. It seemed longer.
“The landscape is so static,” said Grif, “that Time is drawn out, and runs at a strange, slow speed.”
“Scruffy metaphysics. You are simply dying of boredom. I think I am already dead.” Old Theomeris slapped his pony’s rump. “This is my punishment for an indiscreet life. I wish I had enjoyed it more.”
Since noon that day they had been travelling through a range of low, conical slag hills, compelled by a surface of loose slate to lower their speed to a walk. The
Skye Malone, Megan Joel Peterson