that you’ve never asked me for anything—you owe me nothing. But if you have any notion of gratitude, Emiliano,’ and this was the first time she called him by his name, still not knowing if anyone was listening, ‘I ask you to come at least once a week and to have patience with my voice, which is no longer a beautiful voice and no longer pleases you, and now will never bring me love. I will try hard to read as well as I can. But do come, because now that I’m old, I need you to amuse and keep me company. I would miss seeing you and your bullet-riddled clothes. Poor Emiliano,’ she added more calmly, all those bullets.’
According to the scholarly Don Alejandro de la Cruz, the ghost of that rustic man and eternal soldier, who may have been Zapata, was not entirely lacking in sympathy. He accepted her reasoning or felt that he owed her a debt of gratitude: and from then until her death, Elena Vera awaited with excitement and impatience the arrival of the day chosen by her impalpable, silent love to return—from the past, from a time in which, in fact, neither past nor time existed—the arrival of each Wednesday, when he was perhaps coming back from Chinameca, murdered, sad, exhausted. And it is thought that those visits, that that listener and their pact, all kept her alive for many more years, in that city facing the sea, because with him she still had a past and a present and a future too—or perhaps they too are a kind of nostalgia.
(1998)
the resignation letter of senor de santiesteban
For Juan Benet, fifteen years late
Whether it was one of those bizarre occurrences to which Chance never quite manages to accustom us, however often they may arise; or whether Destiny, in a show of caution and prudence, temporarily suspended judgement on the qualities and attributes of the new teacher and so felt itself obliged to delay intervening just in case such an intervention should later have been found to be a mistake; or whether, finally, it was because in these southern lands even the boldest and most confident of people tend to distrust their own gifts of persuasion, the fact of the matter is that young Mr Lilburn did not discover what truth there might be in the strange warnings issued to him—only a few days after he had joined the Institute—by his immediate superior, Mr Bayo, and by other colleagues too, until he was well into the first term when sufficient time had elapsed for him to be able to forget or at least to postpone thinking about the possible significance of the warnings. Mr Lilburn, in any case, belonged to that class of person who, sooner or later, in the course of a hitherto untroubled life, finds his career in ruins and his unshakable beliefs overturned, refuted and even held up to ridicule by just such an event as concerns us here. And so it would, therefore, have made little difference if he had never been asked to stay behind to lock up the building.
Lilburn, who was just thirty-one, had eagerly accepted the post offered him, through Mr Bayo, by the director of the British Institute in Madrid. Indeed, he had experienced a certain sense of relief and something very like the discreet, imperfect, muted joy felt in such situations by men who—while they wouldn’t ever dare to so much as dream of rising to heights they had already accepted would never be theirs—nevertheless expect a small improvement in their position as the most natural thing in the world. And although his work at the Institute did not, in itself, constitute any improvement at all, either economic or social, with respect to his previous position, young Mr Lilburn was very conscious, as he signed the rather unorthodox contract presented to him by Mr Bayo during the latter’s summer sojourn in London, that, while spending nine months abroad was almost an invitation to people in his native city to forget all about him and his abilities, and implied, too, the loss—perhaps not, he imagined, irrevocable—of his comfortable