tattoos, he just told me to know myself before I started getting them. If you donât know yourself, like the things that really crank your handle, then thereâs a big risk youâll get a tattoo that youâll regret later on.â
I nodded and thought about that for a minute. What about when you get a new girlfriend and youâve already got someone elseâs name tattooed into your skin? Thatâs a bit awkward. He must have read my mind.
âYeah, but even so, lifeâs a journey. If you donât change every now and then, you die. Kim Hun is my wife. Weâve been married for sixteen years. Jill is my eldest. Sheâs fifteen and Amy is twelve.â
âCool,â I said, and bit down on my tongue.
âI wanted my body to be a work of art. All the pictures mean something to me. They all tell a story.â He rolled up the leg of his pants so I could see his left calf. Oriental warrior.
âThis bloke, Musashi, is a Japanese folk hero. A Samurai. He could fight. Mate, he was the best of the best. He could sit a grain of rice on your head and cut it in two without hurting you. When heâd had enough of fighting heâd retreat into the forest and meditate. Thatâs me. Iâm on the train now to Melbourne to catch a plane out of Tulla to Darwin. I work for the whole of the dry season on a mango plantation and my wife and kids live here, with her family. Great money. And when the wet comes and things get a bit uncomfortable up there, I fly back home with my pockets full of cash. Me and the missus and the kids pack our gear in the ute and go bush for a couple of months every summer. Mate, itâs a good life.â
He looked at his boot and mumbled, âExcept for the week before I go back to work.â
He had spoken softly. His voice was sort of like music, like heâd be a good singer. He told me some great stories about his tattoos. His life. My favourite was the tattoo on the underside of his right arm. Near his wrist. It was a car wheel. No shit. Even had âGood Year Wranglerâ on the wall of the tyre. It was circled by the sort of art Iâd seen earlier on that blokeâs didjeridu and three letters. W. U. D.
âOn the station there are lots of Aboriginal workers. My boss, Todd, the bloke who owns the farm, employs them during harvest when they havenât got other stuff to do. The station backs on to an Aboriginal reserve so they donât have to walk far to go home. Theyâre a happy mob and one of the blokesâPeterâcomes back every year and works with me. Iâd say heâs my best mate up there and I was telling him about my summer trip with the family a couple of years back and he gave it a name. He called it my âWhite Ute Dreamingâ.â
The trip went so fast. I didnât even know his name. I told him about Uncle Don. He asked me about Dad and I told him stuff that hadnât had words wrapped around it very often. Like how I hated my dad. Like how I reckon heâs hot for Pat but he canât be honest with me. Like how I sometimes think the reason he doesnât want me around is because he doesnât like me.
âI doubt if it would be like that, mate,â he said, and looked out the window. âSometimes dads find it hard to tell their kids that they love them. Donât take it too personally.â
We had started zipping past metro stations when he asked me how Iâd lost my hand. He was innocent andhonest about it like a year-seven kid with guts so I told him straight. I had an accident with a brick saw.
He screwed up his face and sucked air through his teeth. âBet that hurt.â
I nodded. âIt was a year ago. Bloody painful for a long time. Just tingles when I get in a hot shower now, though.â
âHow was it at school?â
âFine. No problem,â I said, and his brow scrunched up. âTo be honest I felt like a bit of a retard to start with.