A Knight in Shining Armour by Jude Deveraux Page A

she found his paper money; then she removed thirty pounds and gave him the rest of it. “Tomorrow you can take your coins to the dealer and he’ll give you more modern money,” she said as she turned to go. “Good luck.” She gave one last look to his blue eyes that looked so sorrowful, then turned and left.
    But once she left the house, she didn’t feel jubilant at finally having rid herself of the man. Instead, she felt as though she were missing something. But Dougless forced herself to put her shoulders back and her head up. It was getting late and she had to find a place to spend the night—a cheap place—and she had to decide where to go from here.

FIVE

    W hen Nicholas found the upstairs room where he was to spend the night, he was appalled. The room was small, with two tiny, hard-looking beds with no cloth hangings enclosing them, and the walls were very bare. But upon closer examination he saw that the walls were painted with thousands of tiny blue flowers. On second thought, he decided that with a few borders and some order to the paintings they might look all right.
    There was a window with that marvelous glass in it, and it had fabric side hangings of painted cloth. There were framed pictures on the walls, and when he touched one, he felt the glass—so clear he could hardly see it. One of the pictures was quite lewd, showing two naked women sitting on a cloth near two fully dressed men. It was not that Nicholas didn’t like the picture, but he couldn’t bear to see such a shameful thing displayed so openly. He turned it to face the wall.
    There was a door that led to a press, but there were no shelves in it. There was only a round stick going from one side to the other, with the same steel shapes that he had seen in the clothes shop hanging from the stick. There was a cabinet in the room, but such as he’d never seen before. It was entirely full of drawers! He tried, but the top of the cabinet did not lift up. He pulled the drawers out one by one and they worked marvelously well.
    After a while, Nicholas began to look for a chamber pot, but one was not to be found anywhere in the room. Finally, he went downstairs and out to the back garden to find a privy, but there was none.
    “Have things changed that much in four hundred years?” he mumbled as he relieved himself in the rosebushes. He fumbled with the zipper and snaps, but managed rather well, he thought.
    “I will do well without the witch,” he said to himself as he went back into the house. Perhaps tomorrow he would wake and find this all to be a dream, a long, bad dream.
    No one was about downstairs, so Nicholas looked into a room with an open door. There was furniture in the room that was fully covered with fine, woven fabric. There was a chair with not one inch of wood showing. When he sat on the chair, the softness enveloped him. For a moment he closed his eyes and thought of his mother and her old, frail bones. How she’d like a chair like this, covered in softness and fabric, he thought.
    Against one wall was a tall wooden desk with a stool beneath it. Here was something that looked somewhat familiar. When he examined the cabinet, he saw the hinge and lifted the top. It was not a desk but a type of harpsichord, and when he touched the keys, the sound was different. There was written music in front of him and for once something looked familiar.
    Nicholas sat down on the stool, ran his fingers over the keys to hear the tone of them, then, awkwardly at first, began to play the music before him.
    “That was beautiful.”
    Turning, he saw the landlady standing behind him.
    “‘Moon River’ always was one of my favorites. How do you do with ragtime?” She searched inside a drawer in a little table that had an extraordinary plant on top of it and withdrew another piece of music. “They’re all American tunes,” she said. “My husband was an American.”
    The most extraordinary piece of music, called “The Sting,” was put before