of basil and breathing in the fragrance coming from the mixture of soil and water and perfume until she was dizzy. The man saw her figure from behind and decided immediately that he would not finally leave Beirut without her.
When I see you I feel thirsty, he told her.
What does the beautiful moon think of the beautiful moon? he asked her.
I am standing here like this to watch over the basil’s perfume, he said.
She heard his voice. She turned around and the face she saw was so very like her brother Musa’s face. She felt light-headed: was it the mingling effects of the basil’s fragrance and the perfume of this man’s words? His words took on the aroma of basil and his footsteps in the garden just across from theirs made a rustling sound that left her trembling. The sensation traveled from her neck to her lower back. But only once did she actually speak to him. It was October and the first rains. Milia stood in her long indigo-blue skirt and white blouse watching the trees lose their leaves when she heard a voice coming from their direction.
It’s you. You’re the one.
I’m what? she asked.
You know what I’m talking about, he said.
Me!
I love you, he said.
Why? she asked.
I love you, and I want you, he said.
Me!
She shrouded herself in her pallor and went into the house. That is how Mansour would describe her. He would say that she had wrapped herself up in her own paleness; she had gone inside the pure white that was her. She lowered her head and said she agreed.
Disappearing into the old house, she sensed his eyes as nails driven into her body between her shoulders at the very top of her back. Her neck hurt her. When Musa accused her of already knowing the man, of having fallen in love with him without telling her brother, she could find nothing to say. She reached her hand around to her upper back to pull out those nails and said yes .
Mansour is sleeping and Milia tries to fall asleep. Closing her eyes, she feels a trembling on the sole of her right foot. She falls onto the stairs. Musa tells her not to be afraid of this long steep flight of wooden stairs. Seashore. Water. Everything is tinted a strong clear blue. Milia is climbing the steep rickety stairs, barely more than a ladder. Sister Milana stands at the bottom gripping the wooden staircase and shaking it. Milia is high on the stairs now but beneath her the wood shudders. Holding on tightly, she attempts to take another step. She looks down to see waves and foam and suddenly she tumbles head over heels like a clown performing a wild acrobatic trick. Her head falls first and her body stretches along the steps as if she had lain down on them. She goes into a somersault. The fall is swift but the staircase seems interminable.
The nun disappeared. Musa was stretching out his arms to catch her. Musa toppled into the water and the sea swallowed him. Milia stood on a rock amidst the waves, her shorts stained with sea grass and salt stinging her eyes. She searched desperately for her brother in the waves but she could not see him anywhere. A hand came out and pushed her into the waters. She was drowning – she knew it – and she felt her throat constrict. She opened her eyes. She licked the salt from her lips and saw only the darkness.
Milia sat on the edge of the bed and pressed her hand to her chest trying to quiet her loud rapid heartbeat. Her heart was erupting, spreading throughout her body. She felt it in her neck and temples and in the soles of her feet. Every part of her shook violently.
Why this fear? Of what was she afraid?
A phantom smile played on the woman’s lips in the gloom. The dream came back to her – that old dream which had abandoned her three years before when she met Najib Karam for the first time and sensed that this young man would swab the dreams from her eyes and help her into the world. But Najib had disappeared from her life and the dream of the sea and the wooden stairs had gone with him. And here she was now,