words across the floor. They would land at the feet of this woman who had stolen his heart and obliged him to spend so much time in transit between Nazareth and Beirut.
Mansour had not known, of course, that the passing encounter in the garden would turn his life upside down and convert him into a perpetual traveler. But, gazing into his hosts’ next-door garden, his eyes fixed on the fair-skinned girl, her long hair bound up in a ponytail, whose figure was bent over to water a pot of basil, and he went out of his mind. Mansour had come to Beirut on a buying trip, wanting to stock the dry goods shop he had opened recently in Nazareth. The dispute that had flared between him and his brother, Amin, over how to run the iron foundry in Jaffa they had inherited from their father had settled it: he would become an independent merchant. He was determined to start anew, somewhere else – but that would only be to start.
Here’s the plan, he told his wife not long after they settled into their home in Nazareth. I’ll put together some money and then we’ll return to Jaffa.
Milia hung her head and said she would prefer Bethlehem.
Why Bethlehem?
She did not answer. Through her eyelashes she saw the golden halo flickering. She had not told her dream to anyone. What would she say? That she had agreed to have him as a husband because of the dream? And that she had come to be in this place because she had heard a voice calling her, saying to her, Go to Nazareth ?
The images that floated in and out of Milia’s head plied together and tangled. The woman she saw in the dream was carrying a tiny child. She gave the child to Milia and disappeared, a figure in a long blue gown. Milia watched the blue color of it undulate across the wadi and cover it entirely. The baby whom this woman had left in the little girl’s hands was dark skinned. Its eyes were shut and it was wrapped tightly in bunting – or perhaps a shroud. A penumbra of light formed a halo over his little head: a blue light hovering on the knees of a little girl of seven. She sits in front of a stone monument abutting the wadi. Behind her is an ancient crumbling structure half in ruins, perhaps a very old church built of white stone. The woman comes out of nowhere and then disappears just as suddenly, leaving her dress behind to move across the wadi and blanket it. Milia stands up suddenly to reach for and grip the hem of the gown but she senses herself falling. She clutches the baby to her chest and steps backward but her foot catches on a rock. As she begins to fall she opens her eyes and takes a deep slow breath.
The lit oil lamp sitting in front of the wooden icon box suspended in a corner of the liwan flickers and all but goes out. The wick glows blue. The blue woman who has left her field of vision – who has abandoned her eyes – enters the icon box, its brown color now a palette of reds and golds. She closes her eyes but the blue woman has already returned. She sets the baby down on Milia’s knee and disappears again in her blue gown and the blue fabric covers the wadi. Milia comes out of the wadi carrying the baby boy.She puts out her hand to take hold of the hem of the blue gown. Afraid, she steps back. And she falls.
The next morning Musa came and informed her of the bridegroom. And he said: Bethlehem. So she hung her head and agreed. And then he said, No, I got that wrong. He is from Nazareth, not from Bethlehem. So she nodded again and said yes .
Had she heard the names of both towns in her dream? Had the blue woman told her the name of the town where she would live? Milia does not remember any voices in that dream. But when she smiles at her husband after he asks her, Why Bethlehem? she is certain (without knowing why) that the two towns’ names emerged together from the bedrock of her dream and that she cannot answer his question.
Was it true that she had told the Nazarene she loved him?
She saw herself through Mansour’s eyes, leaning over the pot
Brittney Cohen-Schlesinger