could still remember when it first had happened and I couldnât get the images to leave meâthe boats, the men, the way her mouth opened but nothing came out. It was all fresh paint in my mind washing over and over again.
Veseyâs little brother, Rufus, was the one who died. The same child whoâd been sick in his motherâs arms when weâd gone to their house the summer before. But he hadnât died from the sickness. He drowned in that river, the beautiful one that melted beneath my feet as I dangled them into the water, the one that glistened where fish jumped and birds dove down, beaks open to scoop up supper, the one that meant life to me. For Veseyâs family, Molasses Creek now meant death too.
The child had not been able to swim; it was as simple as that. It was nobodyâs fault. Heâd simply gotten up early one morning before anyone was awake. They found him on the bank in some cattails with a fishing rod, Veseyâs fishing rod, near him.
Iâd sit on our dock against my motherâs admonitions and watch as the police brought their boats in and searched for evidence, of which there was none. I watched Vesey on the other side, sitting on the bank, arms covering his head between his knees as he rocked and rocked the pain away.
I cried for Vesey. For some reason, the wails I heard from his mother didnât shake my bones nearly as much as seeing Vesey, head down, rocking.
Later, when things had quieted a little and sadness and helplessness had calmed the cries from the other side, I saw him there, getting into his fatherâs johnboat. And he saw me too, Vesey did. Weâd not spoken yet, not even waved to one another that summer. But it was time.
Vesey looked directly into my eyes. He didnât smile. Heâd gotten older, taller, his face more defined. Something around his lips had changed, perhaps from not smiling anymore. I itched to make him smile again and almost felt it as a great divine purpose. I would make him smile again.
âWhere you goinâ?â I hollered over.
He made a quick motion with his hand toward the main waterway. âOut there,â he said.
âCan I come?â
It was brazen, and I knew the second it came out of my lips that my mother and father would not approve, finding some vague excuse why I should not go out fishing with this boy. I could almost see the look on Veseyâs motherâs face if she were to know a white girl was in the same boat as her son. I knew the dangers. I said it again a different way. âWant me to come with you?â
Iâd put the ball in his court.
âMy folks wonât like it,â he said truthfully.
I was only nine, mind you, but becoming bolder by the moment. âBut do you want me to come, was my question. I wonât be any trouble. Iâd like to see the waterway.â
Vesey didnât look like he had any fight left in him when it came to me and my questions, so without a word, he brought the boat closer, humming alongside my dock. He looked over his shoulder and up to my house. âYoâ folks gone be mad?â It was more of a statement. We both knew the answer.
âMaybe,â I said. A look passed between us as I reached my hand out for him to help me into the boat. We were crossing a line that day, all sorts of lines. Iâm not sure we understood the depth of it at nine years old, but strangely, it felt good and right to cross those lines. Defiance seemed a natural progression for me, for a good girl with no siblings, living home alone with her parents, always working hard to do whatever they said. I canât speak for Vesey, but I imagine he was ready to defy all the natural laws that existed as well. His brother had died and in anybodyâs natural world, it wasnât fair, and what could make sense after that?
The wind was in my face as we wound around the creek bends, careful not to make a wake and disturb nature. We looked back
Antony Beevor, Artemis Cooper
Mark Reinfeld, Jennifer Murray