Bridge
Everyone knows
Elvis died in the bathroom.
Thanks to the internet,
everyone knows
that I did too.
But at least I was wearing pants.
My favorite Quiksilver cargo shorts,
which I’ll wear every moment
that I stay in this world.
No laundry needed,
because ghosts never sweat
or piss
or anything.
I’m as dry as the bones
crumbling in my casket.
♪
“Must be nice,”
Aura mumbles into her pillow
when I tell her
I’m going to meet George Clooney.
That’s our code
for “the beach,”
because when lifelong Baltimoreans
say “down to the ocean,”
it sounds like,
“Danny Ocean.”
When we were kids,
our gang of friends
pretended we were in Oceans Eleven .
My big brother Mickey was Clooney,
and I was Brad Pitt.
We’d stroll down the Ocean City boardwalk,
not nearly as slick as we imagined.
Our illusion of cool would crumble
whenever Aura or anyone younger
had to dodge the dead.
“Post-Shifters,” they call themselves,
the generation who sees ghosts.
I’d be one
if I’d been born two months later.
I’m glad I wasn’t,
since ghosts can’t see each other,
not even the ghosts of post-Shifters.
It was bad enough to lose the living
without losing the dead, too.
“Senior Week trip,”
I remind Aura.
She opens her
espresso-drop eyes.
And though the morning light
washes out my violet glow,
making me invisible,
those eyes find mine.
Aura never looks through me.
She whispers, “Good luck,”
and reaches out her hand.
I cover it with my own,
wishing I could hold it.
I’d pull it to my lips,
against my cheek,
around my waist,
down my back.
Both hands
squeezing,
sliding,
stroking.
It never ends,
this desire.
Not for me.
But Aura dreams of other hands.
In her sleep
she whispers his name.
I wonder how much is hope
and how much is memory.
I don’t want to know.
Because whether she sighs for the past
or sighs for the future,
she sighs for him.
♪
“It’s sooooo hot.”
My sister, Siobhan, winds her hair
into a purple-streaked black knot,
then cranks up the car’s air conditioning.
I can’t feel the breeze,
but the rattle and hum of the compressor
sounds comfortingly normal
to this paranormal dude.
We’re stuck bumper to bumper on the
Chesapeake Bay Bridge,
just like old times.
In the driver’s seat,
Mickey turns the AC knob back down.
“It spits out hot air
when you put it on max.”
Siobhan scuffs her Skechers
against the Corolla’s frayed blue floor mat.
“ When are you getting rid of
this old piece of shit?”
“When I can afford
a new piece of shit.”
She stretches her neck—
a fiddler’s habit,
but she does it when she’s stressed.
Her mouth opens, ready to shout,
“You can afford it!”
But Mickey won’t spend a penny
of what he calls my “blood money.”
The millions our folks won
from the record company,
who sold me a dream
and gave me the bullet
that took my life.
In the backseat beside me,
Siobhan’s boyfriend, Connor,
sleeps,
lips pale and slack.
“We deserved that money,” she tells Mickey,
“for what they put us through.”
“We deserve nothing.”
Mickey’s voice is as flat as the farmland
beyond the bridge.
“We were supposed to take care of him.”
(They won’t say my name.)
“Stop punishing yourself.”
Siobhan sounds too scared
to be mad,
which is saying a lot.
“Please.”
“Spend the money,” Mickey says,
“if it makes you feel better.”
Our sister’s eyes fill with tears,
and I want to kill him.
“I hate you,” she whispers to her twin.
“I hate you too,” her twin whispers back.
I want to wake Connor,
tell him to make peace.
That’s what bass players are for, right?
But he hasn’t been
our bass player
since the night I died
and killed the Keeley Brothers
forever.
As the car