Complete Works of Fyodor Dostoyevsky

Complete Works of Fyodor Dostoyevsky by Fyodor Dostoyevsky Page B

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Authors: Fyodor Dostoyevsky
is a sort of picture — a sort of picture or mirror. It connotes at once passion, expression, fine criticism, good learning, and a document. Yes, I have learned this from Rataziaev himself. I can assure you, Barbara, that if only you could be sitting among us, and listening to the talk (while, with the rest of us, you smoked a pipe), and were to hear those present begin to argue and dispute concerning different matters, you would feel of as little account among them as I do; for I myself figure there only as a blockhead, and feel ashamed, since it takes me a whole evening to think of a single word to interpolate — and even then the word will not come! In a case like that a man regrets that, as the proverb has it, he should have reached man’s estate but not man’s understanding. . . . What do I do in my spare time? I sleep like a fool, though I would far rather be occupied with something else — say, with eating or writing, since the one is useful to oneself, and the other is beneficial to one’s fellows. You should see how much money these fellows contrive to save! How much, for instance, does not Rataziaev lay by? A few days’ writing, I am told, can earn him as much as three hundred roubles! Indeed, if a man be a writer of short stories or anything else that is interesting, he can sometimes pocket five hundred roubles, or a thousand, at a time! Think of it, Barbara! Rataziaev has by him a small manuscript of verses, and for it he is asking — what do you think? Seven thousand roubles! Why, one could buy a whole house for that sum! He has even refused five thousand for a manuscript, and on that occasion I reasoned with him, and advised him to accept the five thousand. But it was of no use. “For,” said he, “they will soon offer me seven thousand,” and kept to his point, for he is a man of some determination.
    Suppose, now, that I were to give you an extract from “Passion in Italy” (as another work of his is called). Read this, dearest Barbara, and judge for yourself:
    “Vladimir started, for in his veins the lust of passion had welled until it had reached boiling point.
    “‘Countess,’ he cried, ‘do you know how terrible is this adoration of mine, how infinite this madness? No! My fancies have not deceived me — I love you ecstatically, diabolically, as a madman might! All the blood that is in your husband’s body could never quench the furious, surging rapture that is in my soul! No puny obstacle could thwart the all-destroying, infernal flame which is eating into my exhausted breast! Oh Zinaida, my Zinaida!’
    “‘Vladimir!’ she whispered, almost beside herself, as she sank upon his bosom.
    “‘My Zinaida!’ cried the enraptured Smileski once more.
    “His breath was coming in sharp, broken pants. The lamp of love was burning brightly on the altar of passion, and searing the hearts of the two unfortunate sufferers.
    “‘Vladimir!’ again she whispered in her intoxication, while her bosom heaved, her cheeks glowed, and her eyes flashed fire.
    “Thus was a new and dread union consummated.
    “Half an hour later the aged Count entered his wife’s boudoir.
    “‘How now, my love?’ said he. ‘Surely it is for some welcome guest beyond the common that you have had the samovar [Tea-urn.] thus prepared?’ And he smote her lightly on the cheek.”
    What think you of THAT, Barbara? True, it is a little too outspoken — there can be no doubt of that; yet how grand it is, how splendid! With your permission I will also quote you an extract from Rataziaev’s story, Ermak and Zuleika:
    “‘You love me, Zuleika? Say again that you love me, you love me!’
    “‘I DO love you, Ermak,’ whispered Zuleika.
    “‘Then by heaven and earth I thank you! By heaven and earth you have made me happy! You have given me all, all that my tortured soul has for immemorial years been seeking! ’Tis for this that you have led me hither, my guiding star—’tis for this that you have conducted me to

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