and stumbling. Afterwards, he stands in the rented doorframe listening to her shifting, her breath. In the half-melting drifts. In the creak of the car door before the slam. And how she breathes, like an accordion or a jewel box, and the sky opens. Itâs not the first time he prays for wonders instead of happiness. Cave of the Winds. Maid of the Mist. Rushing torrents of neon bouncing off the pavement between gaps in the motel curtains: aperture of plastic, chrome, electric light. Love is thrown and it is caught. It lives a long time in the air, floats on the surface of the skin. It can overflow, bounce like a fiddle string. It can be blurred, shaped like an onion peel. The half-moon of her body in this stained place, vertiginous. He hasnât written these words in a long time. He writes them withthe motel pen.
If there was an apartment and I had a decent job and you felt happy and thought there could be a nice history together, would you come home?
P AST -F UTURE /F UTURE -P AST
I tried to write you tonight
but there was nothing to say
If you already know the highway,
semis bearing down on asphalt
If you already know someone
who moans in their sleep
If you already know about crickets
or the wires of night stretching
like a fitted sheet, like a pencil compass
rounding the lines of the moon
and her consorts and are you in bed
with a counterpart and if so
then I am sure I already wrote you
about the train, its muffled whistle-
call insomnia, or the boxwoods,
twenty feet tall, reeking of decadence
and pilfered tradition
Thereâs a phone booth here still
older than I am and I
was old enough to be used once,
and once, too, my stories
were not repeated, did not
repeat themselves in the phone booth
or to you when most nouns of this place
were unique and strange on my
tongue: farm, gravel, hay,
and scrap and dirt and
something singing
T ERRA N ULLIUS
When we were done, all the buses had stopped running.
When we were done, the moon was painted large and
low-slung on the horizon. We sat like that a long time,
listening to each other exhale blue plumes of smoke
which tucked themselves through checkered screens.
It was near-morning and we were in our underwear.
It was near-dark and we were in our underwear,
my legs draped across his lap. Gentle curvature
of smokeâour bodies were looted, were broke.
Outside, invisible wires held up water towers and
busted street lamps. The sides of semis turned
the highway to gold threads. We had hallelujah
billboards. We had industrial rust. He put his finger
to my lips and I became the wreckage so we could find
our way back. We sat like that a long time.
A POLOGETICS
A host of angels or a compass of cherubim
or maybe a resolution of sprites has absconded
with me or my common sense or possibly just
my best self and godknowswhatelse.
Which is to say Iâm sorry.
I didnât mean to go to IHOP and spend the entire time
trying not to stare at the man in a reclining wheelchair
covered with a coverlet, sucking on oxygen
near the ladiesâ room.
I didnât mean to write you a letter that falls into
the oversharing category or scare you with Horace
or otherwise compromise what might have been
a perfectly fine correspondence (if not for my mention
of my copious tattoos or other youthful indiscretions).
I didnât mean to get a fever on this vacation, or yell at my son
in the bathroom of the BP station because he was touching
everything including the toilet seat. He always touches
the toilet seat in every bathroom. This is not new.
I did mean to go (which is to say I purposefully went)
to the aquarium and wondered how or why everyone else
seemed perfectly content with battling the crowds to see
otters or anemones. In the tank in The Pacific Reef exhibit
there was someone in an anonymous black scuba suit
standing and waving under the water; he/she was attached
to the window with a suction cup