âYour Uncle Philip was small too.â
Wayne fiddles with the comforter.
âIn school he could make up a joke on the spot and deliver it like a stand-up comic and heâd have the bullies laughing so hard theyâd forget why they were picking on him.â
Wayne sets his eyes on his fatherâs.
âSo I never had to worry. But you ⦠I donât know, youâre different ⦠softer. What are you supposed to do if you canât fight back or say something funny, so weâll go and talk to this Peteâs parents and no one else has to know.â
Wayne turns away and imagines those giant hands again and this time theyâre taking him to a place where fathers donât make bad situations worse and where small and weak and soft are things to be admired, then he turns and looks up and notices his door is half open and his father is gone, so he lies back and dreams of another half-open door and slipping through it like a phantom, away from everything.
THREE
His father pulls into Pete The Meatâs driveway and shuts off the engine. Looks over at Wayne and says, âYou ready?â
Wayne nods and goes to grip the door handle but then changes his mind. âThey say his second father owns a shotgun and that he spends all his time polishing it and pointing it and firing it like itâs some joke.â
âWayneââ
âAnd that heâs got a tattoo of a tear beneath his left eye.â
âWhat foolishnessââ
âAnd his mother spends hours each day over a huge pot of pork and chicken and she just plunks it down and Pete and his second father reach in with their bare hands and tear the flesh from the bones like wolves and then they even eat the bonesââ
âWayneââ
âAnd grease is all over their faces and it drips on their clothes and then Mrs. Avery puts the pot back on the stove and starts all over again and sheâs exhaustedââ
âThatâs enough.â
âIâm just telling you what I heard.â
âCome on.â
They get out of the car and walk along the driveway and up the porch stairs and his dad rings the bell, and Wayne imagines the barrel of the gun, then the trigger, and the thick finger pressing against it followed by the arm and shoulder and neck and finally the pale, angry face of Mr. Avery: the little slit of a mouth and a Hitler moustache, probably, and that tear tattoo beneath cold, dead eyesâ
A womanâs suddenly standing in the doorway and sheâs nothing like the worn, drawn-out wife and mother he was expecting, and sheâs wearing a grey cardigan and jeans with holes in the knees and eyeliner and her teeth are perfect.
âMrs. Avery?â his father says.
She nods. âYes.â
âIâm Calvin Pumphrey and this hereâs Wayne. He goes to school with your boy, Pete.â
She takes in his fatherâs cheek. âPeter, yes.â
His dad touches his bruise like heâs just as surprised as Peteâs mother to find it there. âYouwouldnât say it by looking at him, but Wayneâs got a hell of a slapshot.â
Mrs. Avery tries smiling while his father says how sorry he is to have shown up unannounced and holds out his hand and what choice does Peteâs mom have but to shake it?
Wayne holds out his hand too and Mrs. Avery grabs it and her grip is soft and warm like fresh bread and she says, âWerenât you one of the wise men in the pageant last year?â
âI brought frankincense.â
âYou tripped.â
âCostume was too big.â
âUpset the manger,â his father says.
Mrs. Avery puts her hands in the pockets of her cardigan because she must be cold with the door open, and says, âStole the show.â
Another voice then, a manâs. âWho is it, Maureen?â
âMr. Pumphrey and his son, Wayne,â she says over her shoulder.
âWho?â
âCome