Déjà Dead by Kathy Reichs Page A

were high and sprinkled with freckles. In death, the tiny brown splotches stood out in sharp contrast to the surrounding white in which they floated. She looked like Pippi Longstocking in short brown hair. But the little elf mouth was not laughing. It was stretched wide, and a severed left breast bulged from it, the nipple resting on the delicate lower lip.
    I looked up and met LaManche’s eyes. The lines paralleling them seemed deeper than usual. There was a tension to the lower lids that caused the sagging parenthesis under each to twitch slightly. I saw sadness, but perhaps something more.
    LaManche said nothing and continued the autopsy, his attention shifting back and forth between the body and his clipboard. He recorded each atrocity, noting its position and dimensions. He detailed every scar and lesion. As he worked, the body was photographed from the front as it had been from the back. We waited. Charbonneau smoked.
    After what seemed like hours, LaManche finished the external exam.
    “
Bon
. Take her for radiography.”
    He stripped off his gloves and sat down at the desk, hunching over his clipboard like an old man with a stamp collection.
    Lisa and Daniel rolled a steel gurney to the right of the autopsy table. With professional agility and detachment they transferred the body and wheeled it off to be X-rayed.
    Silently, I moved over and took the chair next to Charbonneau. He half rose, nodding and smiling in my direction, took a long pull on his cigarette, and stubbed it out.
    “Dr. Brennan, how goes it?”
    Charbonneau always spoke to me in English, proud of his fluency. His speech was an odd mixture of Québecois and Southern slang, born of a childhood in Chicoutimi, embellished by two years in the oil fields of east Texas.
    “Good. And you?”
    “Can’t complain.” He shrugged in a way only francophiles have mastered, shoulders hunched, palms raised.
    Charbonneau had a wide, friendly face and prickly gray hair that always reminded me of a sea anemone. He was a large man, his neck disproportionately so, and his collars always looked tight. His ties, perhaps in an attempt to compensate, either rolled over and slipped sideways, or disengaged themselves and hung below the level of his first shirt button. He’d loosen them early in the morning, probably hoping to make the inevitable look intentional. Or maybe he just wanted to be comfortable. Unlike most of the CUM detectives, Charbonneau did not try to make a daily fashion statement. Or maybe he did. Today he wore a pale yellow shirt, polyester pants, and a green plaid sports jacket. The tie was brown.
    “Seen the prom pics?” he asked, reaching to retrieve a brown envelope from the desk.
    “Not yet.”
    He withdrew a stack of Polaroids and handed them to me. “These are just the backup shots that came in with the body.”
    I nodded and began going through them. Charbonneau watched me closely. Perhaps he hoped I would recoil from the carnage so he could tell Claudel I’d blinked. Perhaps he was genuinely interested in my reaction.
    The photos were in chronological order, re-creating the scene as the recovery team had found it. The first showed a narrow street lined on both sides by old but well-kept buildings, each three stories high. Parallel rows of trees bordered the curbs on each side, their trunks disappearing into small squares of dirt surrounded by cement. The buildings were fronted by a series of postage-stamp yards, each bisected by a walkway leading to a steep metal staircase. Here and there a tricycle blocked the sidewalk.
    The next several shots focused on the exterior of one of the red-brick buildings. Small details caught my attention. Plaques over a pair of second-story doors bore the numbers 1407 and 1409. Someone had planted flowers below one of the ground-floor windows in front. I could make out three forlorn marigolds huddled together, their huge yellow heads shriveled and drooping in identical arcs, solitary blooms coaxed into life