problem with that.â She glances out the window at ⦠me.
I shut my eyes and slump, pretending to be asleep.
âWe canât go to New York. Not now,â Molly says.
âI know,â Jonathan agrees. âYouâre right. Of course, youâre right. Fella has been so good to us. We wouldnât be where we are now if it werenât for Fella. We could never leave that horse.â
âI wouldnât trust anyone else to take care of him,â Molly adds.
âMe either.â He sighs.
I open my eyes and gaze in at them.
Molly reaches across the little table and puts her hand on Jonathanâs. âWeâre happy here, arenât we?â
Jonathan puts his other hand on hers. âWeâd be happy anywhere, Molly.â
âAbsolutely,â Molly agrees.
When Molly steps out of the house, I nicker to her.
âHey! I thought you were asleep, Fella.â She comes over and wraps her arms around my neck as far as theyâll go. Then she kisses my nose. âGood night, sweet Fella. See you tomorrow.â
I watch her walk away, knowing that I wonât see her tomorrow.
Through the window I watch as Jonathan packs the money away into his money box and loads his paints and brushes for the morning.
Jonathan and Molly are two of the best humans Iâve ever known. As long as Iâm around, they wonât leave. Theyâll stay and see their dreams of New York City fade and disappear.
Jonathan leans out the window and calls, âGood night, Fella!â
I whinny a good night ⦠and a good-bye.
Â
18
All Danced Out and Dreamed Out
I travel night and day to put distance between myself and the marketplace. I believe Molly and Jonathan will try to find me, and I canât allow that. They must move on. I picture them in New York City, painting and singing. I shall never forget them. And I hope they will remember their âFella.â
But as day after endless day passes me by, a sadness settles into my soul. The farther I walk, and the more tired I become, the more I wonder. Why canât I find a friend I donât have to leave? Why canât I have a home of my own?
I would have been happy dancing at the plow with Lena. Later, I might have become part of Bessieâs herd if those cowboys hadnât run me off. And Mary? All I wanted to do was help that little girlâs dream come true, just like I wanted to help Molly and Jonathan.
Thatâs all I ever want. And where does it get me? In the middle of nowhere. Without a home. Without a friend.
Well, what about my dream? What about Federico the Dancing Horse?
Dancing. Whatâs dancing ever done for me, except get me into trouble?
I slow to a trot and try to hear my motherâs song in my heart.
Only I canât. There is no music in my heart.
There is no Federico the Dancing Horse.
For days I wander. No dreams. No music. What I need is a job. Fred the Plow Horse needs work. Isnât that all we plow horses were born to do?
I pay little attention to where Iâm going. I walk with my head down and stay out of humansâ paths. I keep as far away from homes and farms as I can. On and on I travel.
When it begins to rain, I barely notice. Only it rains and rains and rains. All day and all night it comes down. Iâve never seen anything like it.
Still, I plow on.
Instead of music, I hear the plodding schlush schlush of my giant hooves striking mud. Instead of my motherâs song, a new refrain plays in my head: I need a job. I need a job. I need a job.
Even at Quagmire Farms I had a shelter over my head and food to eat.
And Lena.
The rain falls in slanted sheets. I turn my face from the wind and trudge on, blinded by watery eyes. And then â¦
Thump!
I crash right into the back of something that feels bigger, rougher, than I. It has a ratlike, hairless tail and wrinkled, rough hind legs that truly are the shape and size of tree stumps.
âHey! Whaddya
Alexandra Ivy, Laura Wright