now empty, the other filled with sinks and stalls, it had a door that locked, a cool tile floor, and most important, windows way up high on the interior wall, looking out over the center courtyard. If she burned a candle in there at night, the light wouldn’t be seen from the street.
If she had a candle.
The water, amazingly, still worked. It came, with a gush of rust and slime, from the faucet of one of a row of sinks that lined one mirrored wall.
Sophia let it go until it ran clear and then she drank. She washed using the soap still in the glass globes—apparently not everything had been taken from the hotel. The soap was thick and congealing from age and evaporation, but she used it to wash not just her torn and bleeding feet and the most recent cuts on her arm where Bashir had reminded her of the sharpness of his sword, but all of her. Everywhere he or one of his horrible friends ever touched.
She even washed her hair, wanting to be rid of the perfumed scent of the palace.
She had virtually nothing but the nearly transparent white gown and the sheet—she washed those, too—that she’d wrapped herself in after killing Bashir. No real clothes, no passport, no papers, no money, no food. No friends who would be willing to help her.
Because Bashir’s nephews would seek revenge. The entire city would be searching for her, eager for the reward. It would be a big reward—the kind that could turn her friends into her worst enemies. With her blond hair, she had to be careful. She’d be easy for anyone to spot.
After checking that the door was locked, she wrapped herself in that wet sheet and lay down on the tile floor, exhausted and needing to sleep.
And, for the first time in months, able to sleep.
She may have had nothing, but she had water and she had her freedom.
Mere hours ago she’d been little more than a prisoner, a slave to a man she despised. Compared to that, she was now far richer than her wildest dreams.
W ORLD A IRLINES F LIGHT 576, S AN D IEGO TO H ONG K ONG
Tess looked up from her book to see the flight attendant standing in the aisle of the plane with a tray of champagne flutes.
The only seats available at such short notice on this intercontinental flight had been in first class. What a shame.
Tess smiled and shook her head—no thanks—and, ignoring the murmur of voices around her, returned her attention to her book.
It was a somewhat anemic spy thriller that had been written during the Cold War. The hero was a James Bond type who reminded her a little of Jimmy Nash. He was tall, handsome, and extremely skilled, clever with a dry wit. But like most fictional secret agents, this character never, ever whined and complained to his support staff.
It was remarkable how often authors left out those particular moments—the scenes where the superagent comes striding into the office, scowling at everyone and demanding to be told why no one had let him know
before
he went to Turkey that his credit card had expired last week.
Yeah, Tess would’ve liked to read the scene where Miss Moneypenny pulls the e-memo titled “See Me NOW About Your Credit Card’s Impending Expiration” from James’s email box, prints it out, and hands it to him, then tartly asks him what more he would like her to do to keep him informed, especially when he’s too busy wining and dining some babe in a black leather catsuit to read his blasted email.
She looked up as Nash returned from the bathroom and, with a smile, slipped past her into the window seat. The difference between no Nash and Nash was like night and day, and she had to force her gaze back to the open pages of her book. Reading with him sitting beside her was a challenge. The man had an enormous presence.
He could a fill an entire room—let alone the small first-class cabin of a commercial airliner—with just a smile.
It was similar to the way he’d filled the car that night, as he’d driven her home.
She’d left her own car in the parking lot at
Michele Boldrin;David K. Levine