Framed in Blood by Brett Halliday

Marie said, “It is the right number, isn’t it?” he began flipping through the book.
    “Yes, it’s the right number, Marie, but there are a couple of others I want to look up.”
    This made so many things clear to him that hadn’t made sense before. Timothy Rourke’s evasiveness, his disinclination to discuss Bert and Betty and his relationship with them, his reason for sending Betty to his apartment to pump him for information the moment he learned that Bert had been there.
    It explained Bert Jackson’s arrogant self-confidence when he suggested that Shayne call Rourke and put the proposition to him. Conscious that the older reporter was visiting his wife, he had used the fact to try to force Rourke to go along with his blackmail scheme.
    Where did Rourke stand?
    One count against his old friend came with the stabbing recollection that he had not called the Jacksons’ number while ostensibly trying to find out whether Bert had come home. He had called an entirely different number, listened for a long time before hanging up and reporting that there was no answer and advancing the theory that Bert was not at home and that Betty was asleep under the influence of sleeping-tablets.
    Bert was dead at the time. Did Rourke know?
    Shayne thought of the blood on the cushion of the reporter’s car, and of Rourke’s refusal to discuss that, and other details of Jackson’s murder; and as these thoughts flashed through his mind an even deadlier realization came in their wake.
    In attempting to shield Rourke from Gentry’s probing, he had accomplished exactly the opposite! Inadvertently, his lie to the police chief about Bert wanting divorce evidence against his wife now appeared to be too near the truth for comfort. By withholding information on the blackmail scheme in which he believed Rourke was somehow involved, however innocently, he had actually tipped Gentry off to a fact that would eventually put the police on the track of Rourke as the “other man.”
    All because Rourke hadn’t been frank with him, Shayne thought furiously, remembering that Marie was standing back of him, waiting until he had found what he was looking for.
    “There’s a pencil and pad in the drawer of the telephone stand,” she said. “Unless it’s true that you remember everything you see and hear—like I’ve heard.”
    “Thanks. I don’t,” he said soberly. He took a pencil and memorandum book from his pocket and pretended to write down numbers, grinding his teeth and damning Rourke for his lack of faith and failure to tell the whole truth.
    It was too late now. At any moment, and certainly before many hours, Gentry’s men would have Rourke pegged as Betty Jackson’s lover, through a confession by Betty or the sudden return of Marie’s memory about the “other man.” Add that to the known bad blood between the two men, the undeniable fact that Rourke had combed the bars for Jackson last night, and the police would have evidence of murder.
    Shayne picked up the receiver and dialed Rourke’s apartment, clamping the receiver against his ear, then dropping it with an oath when he heard a busy signal.
    He whirled around to face Marie.
    She cried out in alarm at the expression on his face. “What is it? I don’t—”
    “Is there a rear stairway and a door in this place?” he interrupted rudely.
    “Yes. The stairway is past the elevator at the end of the hall. There’s a back door that goes out to the parking-lot where we leave our cars. But why?”
    “I’d just as soon not meet the cops coming in the front,” he told her. “And if you really want Bert’s murderer caught you will forget that you ever saw me. Better get back in bed and pretend you’ve been asleep all night.”
    She ran to him and impulsively threw her arms around his neck. “I want Bert’s murderer caught more than anything in the world. I’ll go right to bed—but when will I see you again? I’ll be thinking about you—and wondering,