longest.â
âYour parents?â
âMy mother was very young when I was born. Unmarried. She . . . I went to live with my aunt until . . . until things became difficult for her, financially. There were foster homes after that. That isnât really the point.â
âIsnât it?â
She took a steadying breath. âI donât want you to feel sorry for me. Iâm not telling you this so that youâll feel sorry for me.â
The pride was evident in the tilt of her head, in the tone of her voiceâthe same quiet pride he was trying to capture on canvas. His fingers itched for his sketch pad, even as they itched to touch her face. âAll right, I wonât.â
With a nod, she continued. âFrom what I can gather, things were very hard on my mother. Even without the little I was told, itâs easy enough to imagine. She was only a child. Itâs possible that she wanted to keep me, but it didnât work out. My aunt was older, but she had children of her own. I was essentially another mouth to feed, and when it became difficult to do so, I went into foster care.â
âHow old were you?â
âSix the first time. For some reason it just never seemed to work out. I would stay in one place for a year, in another for two. I hated not belonging, never being a real part of what everyone else had. When I was about twelve I went back with my aunt for a short time, but her husband had problems of his own, and it didnât last.â
He caught something in her voice, something that made him tense. âWhat sort of problems?â
âThey donât matter.â She shook her head and started to rise, but Gabe put his hand firmly on hers.
âYou started this, Laura, now finish it.â
âHe drank,â she said quickly. âWhen he drank he got mean.â
âMean? Do you mean violent?â
âYes. When he was sober, he was discontented and critical. Drunk, he wasâcould beâvicious.â She rubbed a hand over her shoulder, as if she were soothing an old wound. âMy aunt was his usual target, but he often went after the children.â
âDid he hit you?â
âUnless I was quick enough to get out of his way.â She managed a ghost of a smile. âAnd I learned to be quick. It sounds worse than it was.â
He doubted it. âGo on.â
âThe social services took me away again and placed me in another home. It was like being put on hold. I remember when I was sixteen, counting the days until Iâd be of age and able to at least fend for myself. Make . . . I donât know, make some of my own decisions. Then I was. I moved to Pennsylvania and got a job. I was working as a clerk in a department store in Philadelphia. I had a customer, a woman, who used to come in regularly. We got friendly, and one day she came in with a man. He was short and baldingâlooked like a bulldog. He nodded to the woman and told her sheâd been absolutely right. Then he handed me a business card and told me to come to his studio the next day. Of course, I had no intention of going. I thought . . . That is, Iâd gotten used to men . . .â
âI imagine you did,â Gabe said dryly.
It still embarrassed her, but since he seemed to take it in stride she didnât dwell on it. âIn any case, I set the card aside and would have forgotten about it, but one of the girls who worked with me picked it up later and went wild. She told me who he was. You might know the name. Geoffrey Wright.â
Gabe lifted a brow. Wright was one of the most respected fashion photographers in the businessâno,
the
most. Gabe might not know much about the fashion business, but a name like Geoffrey Wrightâs crossed boundaries. âIt rings a bell.â
âWhen I found out he was a professional, a well-known photographer, I decided to take a chance and go to see
Brittney Cohen-Schlesinger