that started her off.â He raised a hand and his voice. âTake care, Mrs. Bradley.â
They watched, Gabe from the yard, Laura from the doorway, as the snowmobile scooted up the lane. And then they were alone.
Clearing his throat, Gabe started up the stairs. Laura said nothing, but she stepped out of the way and closed the door behind him. She waited until he was sitting on the low stone hearth, unlacing his boots.
âThank you.â
âFor what?â
âYou told the trooper that I was your wife.â
Still frowning, he pried off a boot. âIt seemed less complicated that way.â
âFor me,â Laura agreed. âNot for you.â
He shrugged his shoulders and then rose to go into the kitchen. âAny coffee?â
âYes.â She heard the glass pot chink against the mug, heard the liquid pour into the stoneware. Heâd lied for her, protected her, and all she had done was take from him. âGabe.â Praying that her instincts and her conscience were right, she walked to the doorway.
âWhat the hell is this?â He had the pan sheâd used to heat the milk in his hand.
For a moment the tension fled. âIf youâre desperate enough, itâs hot chocolate.â
âIt looks like . . . Well, never mind what it looks like.â He set it back on the stove. âThat powdered stuff tastes filthy, doesnât it?â
âItâs hard to argue with the truth.â
âIâll try to make it into town tomorrow.â
âIf you do, could you . . .â Embarrassed, she let her words trail off.
âWhat do you want?â
âNothing. Itâs stupid. Listen, could we sit down a minute?â
He took her hand before she could back away. âWhat do you want from town, Laura?â
âMarshmallows, to toast in the fireplace. I told you it was stupid,â she murmured, and tried to tug her hand away.
He wanted, God, he wanted just to fold her into his arms. âIs that a craving or just a whim?â
âI donât know. Itâs just that I look at the fireplace and think about marshmallows.â Because he wasnât laughing at her, it was easy to smile. âSometimes I can almost smell them.â
âMarshmallows. You donât want anything to go with them? Like horseradish?â
She made a face at him. âAnother myth.â
âYouâre spoiling all my preconceptions.â He wasnât sure when heâd lifted her hand to his lips, but after the faintest taste of her skin he dropped it again. âAnd youâre not wearing the shirt.â
Though he was no longer touching it, her hand felt warm, warm and impossibly soft. âOh.â She took a long breath. He was thinking of the painting, not of her. He was the artist with his subject again. âIâll change.â
âFine.â More than a little shaken by the extent of his desire for her, he turned back to the counter and his coffee.
The decision came quickly, or perhaps it had been made the moment sheâd heard him lie for her, protect her. âGabe, I know you want to work right away, but Iâd like . . . I feel like I should . . . I want to tell you everything, if you still want to hear it.â
He turned back; his eyes were utterly clear and intent. âWhy?â
âBecause itâs wrong not to trust you.â Again the breath seemed to sigh out of her. âAnd because I need someone. We need someone.â
âSit down,â he said simply, leading her to the couch.
âI donât know where to start.â
It would probably be easier for her to start further back, he thought as he tossed another log in the fire. âWhere do you come from?â he asked when he joined her on the couch.
âIâve lived a lot of places. New York, Pennsylvania, Maryland. My aunt had a little farm on the Eastern Shore. I lived with her the