bed. Walked as far as the window, lifted the corner of the shade. I always think Iâll splurge and buy curtains, but I never get around to it.
âWhat are you doing?â
âTrying to see whether the snow's stopped.â
Sam's penthouse at Charles River Park has heavy gold blackout drapes over triple-glazed windows, a king-sized bed, and carpet your toes can get lost in. My drafty old Victorian has chilly hardwood floors and plain white walls. The house has good bones, good space. Potential, a realtor would rave. It belonged to my Aunt Bea, and she left it to me, free and clear, except for property taxes that rise like Iowa corn in July.
âSounds more like rain,â Sam said.
âSleet.â I shivered in the chill, and the CD ended. Instead of sticking another disc in the player, I picked up the Plexiglas music box off the top of the dresser, the one Iâd found in Paolina's room, and turned the silver key. Inside the clear plastic, gears meshed and rotated, and the first halting notes of âTeddy Bearsâ Picnicâ emerged.
When Paolina was barely seven years old, when we first met, she was behind in a lot of ways, shy and fearful. Because I was not her mother, not exactly a friend, not a teacher, we had the freedom to regress, to go back and do some of the things sheâd never done with her mom, play the baby games, read the baby books. I remembered endless rounds of hide-and-seek to the refrain of âTeddy Bearsâ Picnic.â By the time the music box ran down, one of us had to be safely hidden. Not till the music wavered and died could the other yell, âReady or not, here I come.â
âSam?â
He grunted sleepily.
âAny chance she could have been snatched because of you? Because of yourâwhat you do?â
He didnât reply for such a long time I thought he might not have heard me. Then he said, âYou spent time with your cop pal today. Mooney. The one who wants to get into your pants.â
âHey,â I said. âHe might have mentioned it first, but Iâd have gotten there on my own, sooner or later. And you know he's my friend, and that's all he is.â
âDonât tell me he wouldnât like to be more.â
âSam, stop it. Just answer the damn question.â
âThe answer's no. Plain and simple. No. Nobody's going to go after Paolina because of me. Nobody in their right mind.â
âIâm not worried about people in their right mind. Iâm worried about contract killers from Miami.â
âWhere the hell did that come from? Late-night TV? Listen, I work with businessmen. Get it? I donât operate some low-rent street gang. I donât do Jamaican drug rings andââ
âHow about Colombian?â I said sharply. âWhat exactly do you know about Roldan? What do you hear?â
The room was dark. I could tell by his outline that heâd turned to face me, but I couldnât see his eyes. âI thought we had an agreement, remember? Iâm not your window into the Mob. You donât want to know about the business.â
âSam, come on. Am I some little Mafia wifey? Hear no evil? See no evil? I know the Italian thing isnât a gentsâ club anymore, running policy numbers and strip shows and shit. It's drugs now, Sam. That's where the money is, right? Drugs. And Iâm asking because I need to know. This isnât some case; this is Paolina.â
âThe money's in legitimate businesses,â he said.
âYeah,â I said. Right. I clamped my lips together but I couldnât stop. âSam, donât you see? Every day, youâre getting in deeper. Canât you get away from it?â
âMy dad,â he said softly. That was all. My dad .
Anthony âBig Tonyâ Gianelli, Mob patriarch, Sam's father, was in a nursing home. The first stroke had been mild, but thereâd been others, each minor, but with a cumulative
Under the Cover of the Moon (Cobblestone)