Imagine Me Gone by Adam Haslett

encourages me to give myself for what happened. That is, when she is not eaten up by fear and rage at the fact that she and the children have been uprooted twice now: first to go over there, to retrieve our furniture from where it had remained in storage, to settle the children in English schools, and then less than three years later to retreat back here to America. Because of me. Because I was fired by my own partners, told they couldn’t afford my debilitation any longer—at the firm I had started. Back here to a different town and different schools, everything new again. Walcott, west of Boston. Because at least here, a man whose business I had helped to start pitied me sufficiently to offer me a job. Which itself couldn’t possibly last, and didn’t. Eighteen months of work, and then the suggestion that I go part-time, and then, a few months ago, the end to that, too.
      
    Against the monster, I’ve always wanted meaning. Not for its own sake, because in the usual course of things, who needs the self-consciousness of it? Let meaning be immanent, noted in passing, if at all. But that won’t do when the monster has its funnel driven into the back of your head and is sucking the light coming through your eyes straight out of you into the mouth of oblivion. So like a cripple I long for what others don’t notice they have: ordinary meaning.
      
    Instead, I have words. The monster doesn’t take words. It may take speech, but not words in the head, which are its minions. The army of the tiny, invisible dead wielding their tiny, spinning scythes, cutting at the flesh of the mind. Unlike ordinary blades, they sharpen with use. They’re keenest in repetition. Self-accusation being nothing if not repetitive. There is nothing deep about this. It is merely endless.
      
    I taught my children how to handle themselves on the water, how to step in and out of a boat, how to row, how to steer an outboard and tie knots, and when I had the chance I showed them how to sail. I taught them how to ride their bicycles, and in the country, in Samoset, I cut paths in the field for them to ride on, and built them a tree fort. And back in Britain, for the two and a half years we lasted there, I showed them castles and Roman walls, and taught them what history I remembered from school. You could say that I fathered them as I was never fathered, but that sounds awfully American and psychological. My father did what his time expected of him without complaint, and I have no bitterness toward him. We weren’t meant to know each other and we didn’t. He didn’t plant the monster in me. It’s older than him, and far savvier. He worked for his family’s shipping business in Belfast, and when he turned thirty he became their agent in Southampton, where he met my mother. He saw his family through the Depression and the war, and ensured that his children were properly educated, and throughout it all he spoke very little, which was no deprivation given that I’d never known him to behave otherwise. It’s easy to make too much of fathers, I want to say.
      
    A few months ago, a fog blinded me, thicker than ever before. I slept in the monster’s arms. I felt its breath on my neck, its scaled stomach rising and falling against my back, its head and face invisible as always. I couldn’t pretend anymore to Margaret that I was working. The children receded into noises grating on my ears. I stopped moving. Weeks went by indistinguishable one from another. I could smell the rot of myself, my armpits, my breath, my groin, as though the living part of death had already commenced, the preliminary decomposing, as the will fades. In Dante and Milton hell is vivid. Sin organizes the dead into struggle. The darkness bristles with life. There is story upon story to tell. But in the fog there is nothing to see. The monster you lie with is your own. The struggle is endlessly private. I thought it was over. That one night the beast at my back would squeeze