the evening news, I understand that the new arrival, this Miss Jennifer Spencer, is up in observation hell. Sheâs certainly been news. Iâve been following her story with some interest, since one needs such pastimes in prison, and because both of my sons are in the same type of business as she is ⦠or was. From the beginning I could see that she was taking the fall for someone else, probably a man. The only question that remained in my mind was, did she know what was going on? Was she complicitous? I was actually looking forward to seeing her in person, because then I would know.
How would I know? Well, let me explain another result of happening to murder your husband: It turns your brain inside out. Although this is terribly painful at the time and for a long while afterward, in the end it is a good thing. I know this sounds totally insane, but I am a better person for having killed my husband. For instance, Iâve become nearly as good as a dog at reading people.
Lest anyone think that I am advocating murder as a method of self-improvement, let me correct that impression at once. Yes, I am a better person, but I was a goodenough person before. Riff wasnât; he wasnât worth dirtying my hands for. What he deserved from me was the indifference that I only now feel toward him. Trading life and liberty for well-deserved revenge and an enlightened mind is a very hard deal to accept. Jennings, have I said it before, is a kind of hell.
When I arrived here, I fell into despair at once. The trial, Grand Guignol though it had been, was a reason to get up, get dressed, and perform. Here there was nothing. I wanted to die. Imagine. I had been headmistress of one of the most prestigious private girlsâ schools on the East Coast, and had lived among the very rich and instructed their daughters. On my first day at Jennings, I was told to âget my fuckinâ ass movinâ.â I had been in Whoâs Who In American Education. Here I was referred to as âthe old bitchâ.
Somehow I got used to the vulgarity. It was the deprivation of every sensory pleasure that was the hardest thing for me to bear. My marriage had not been happy, but I had lived in a beautiful home, traveled to Paris and London nearly every year, spent summers in Tuscany, was a connoisseur of wines and fine foods, collected rare books and Herend, drove an immaculate â62 Mercedes Gullwing, subscribed to the ballet, shopped at Neiman Marcus.
And suddenly I was confined to one of the ugliest places on the face of the earth, twenty-four hours a day, seven days a week. I assure you, no bleaker, duller, more visually offensive place can exist. Iâd rather be in Craigmore Prison, dank dark dungeon that it is. It at least has some architecture to boast of. Jennings is the kind of dull, featureless maze they put rats into when theyâre trying to see if they can stunt their brain development. Even crumbling ceilings or walls would add interest, but here there is no crumbling, just ugly,1960s efficiency. Jennings was built when there was a soul-sickness plaguing the earth, probably an aftereffect of the war. Buildings were built to last, but beauty in architecture was eschewed. The style could be called âPlainness with a Vengeanceâ, âUgly is Fineâ, or âDeath in Lifeâ. And I have to stay here for the rest of mine. There are no aesthetic pardons.
So I wondered how Jennifer Spencer was faring in Observation. She had a lower-middle-class youth, upper-middle-class adulthood. A transition to Jennings wasnât going to be easy for her, to say the least. But my interest in the fate and character of Jennifer Spencer was going to be limited compared to the keen interest I have in women like Movita Watson and her âsidekickâ, Cher. I had never met women like them before my incarceration and I am fascinated by their unschooled intelligence.
Movita, for example, is someone I pegged as