boy!â
âSarita!â she yells when she gets inside. âYouâll neverâ¦â But Sarita must have been watching from the windows by her puzzle table. She is already coming from the kitchen with the sandwich bag full of liver pieces.
Coyote is still under the camellia. Charley wants to run down the drive and throw herself at him, hug him and rub his ears as if heâs a regular dog. Her regular dog! It is all she can do to walk slowly down to the terrace, keeping her eyes focused on the table and chairs, and sit down. âGood dog!â she says again, amazed and relieved that he is still there. âWant some liver?â
She has been talking to him about the liver she takes him every evening, saying the word over and over as he comes to get the pieces she puts out so that heâll know that the word means something he really, really likes. And heâs been coming gradually closer and closer to get it. But still he hasnât taken the pieces closest to her. She always sees him as she and Sarita drive away, sneaking back to get the last of them.
She turns to look at him now, and their eyes meet. He doesnât bolt. She feels the tremor of their connection. âLiver!â she says. âEvery time you stay here when Sadie goes home, you get to have liver!â She takes the biggest piece she can find, holds it between her thumb and first finger so that it sticks out away from her hand, turns her head away, and holds the liver out to him as far as her arm will reach.
Is he coming to get it? She canât tell. She doesnât dare turn to see. She holds her breath, makes herself as still as she can. Come on , she thinks at him, you can do it. Come get the liver!
And suddenly the liver is gone from her fingers. He has taken it so gently she didnât feel his muzzle near her hand. Just one moment the liver between her fingers and the next moment gone. Moving in slow motion, she pulls her hand back and gets another piece of liver. She extends her arm again, and again the liver disappears. Three more times she does it. Then she holds the last piece out in her cupped palm so that heâll have to touch her to get it. It takes longer this time, but he gets it, his nose and whiskers grazing her hand.
At his touch her eyes blur with tears. âGood dog,â she whispers. âGood, brave dog!â The sandwich bag is empty now, so she turns to look at him. He is no more than two feet away. He stands his ground, his ears and tail up, looking at her as if to ask if there is any more.
âAll gone,â she says, and shows him her empty hands. He stands for another moment, and then turns and goes back to the camellia. He doesnât run, he doesnât skulk. He just walks back and lies down.
Charley looks up at the windows of the lake room above her. Sarita is there, watching. She smiles and nods, and Charley holds up both thumbs. âWild forever,â Mr. Heyward said. Not this dog!
Coyote stays in the yard the rest of the day. When Charleyâs father comes home, he scuttles across the road into the woods for a little, but comes back to his place under the dogwood when Paul Morgan goes inside.
Charley calls Mrs. Davis and tells her that Coyote stayed when Sadie went home. âThatâs fabulous, Charley,â she says. âThe kids said they hadnât seen him, and I was a little worried. I thought something might have happened to him.â
âHeâs fine.â
âLooks like your hard work is paying off.â
âAnyway, if he stays over here you wonât have to keep Sadie inside tonight.â
Mrs. Davis laughs. âAnd you wonât have to risk hearing Buddy Heyward tell you how impossible and dangerous this whole project is!â
After dinner Charleyâs father goes back to the office. At the time she would normally have gone around to Coyoteâs territory with the liver, Charley splashes on insect repellent again and
Glenn van Dyke, Renee van Dyke
Jesse Ventura, Dick Russell