More for Helen of Troy
I
Before and After the Abduction
Such a clear division, surely impossible
That life can be so definite, so ordered
By one night, one dream remembered through the bruises,
The hands and worse carrying me away,
Discussing me inside and out,
Killing the pleasure of my secrets,
The frenzy of his misunderstanding
Becoming the public truth.
I have begun again, not at the beginning,
But instead at the moment when beauty
Became the source of conquest and Eros
The cruel god, instrument of Aphroditeâs revenge.
This must not decide my story, shroud my breath
Forbidding ecstasy. I will shake the dark spots from the sun.
II
Perfect Nights
As the fruitless hours wore on
In a foreign town
She could hear the absent men in battle,
Disputing her favours, her qualities,
The entrances and storerooms of pleasure
She tried to keep hidden on parade.
Lying awake and naked but mercifully
Alone she imagined distant alliances
Forged as her messages
Fell on listening ears
Inspired to faster rescue than could be managed
By the rancid men
Squabbling on the beach at dawn.
Then there would be perfect nights
Secure, warm, dark, rich and out of exile.
III
Hair Day
The braiding could take a morning
From dawn, when the other women
Yawned, too stiff to flaunt their lesser virtues,
Through the brilliance of the southern sun,
Its brightening echoed in the lightening
Of her strands from reddish gold to almost white.
Only far below, the place of Paris,
Did a dark shadow expose the soul,
Even that mown and ordered
To obedient falsehood.
IV
Deceptive Beauty
She carries all the contradictions
Of peonies, body and soul,
Bloom and stem, held proud in Spring,
First and fast to rise. Her face a glory
Budding in a perfect moon, a mystery
So contained, complex in hidden folds,
So fecund in astonishing conclusion.
In full June panoply she seems
Gaspingly beautiful, her white cheeks
Tinged with pink, her neck flecked
With clever hints of colour, her scent
Pervasive late into the cathartic evening.
Her petal skin, though, flinches
At the slightest touch, bruises even
From a kiss of admiration,
Collapses as soon as picked,
A sigh of quick capitulation.
Your sadness is misplaced, donât worry,
For though she hates to be moved
Her roots will be among the earliest
To sense the death of frost,
Pierce the reluctant earth
And send her incarnation
Shooting from her bed again.
V
Parade
She rarely shows herself in person,
Reachable flesh, febrile scent,
Cause enough for a riot, another assault,
Escalating her protective walls, tearing aside
Her screen of indifference. But her image
Is everywhere â icon and full-length,
Embellished and crude, accurate and all make-up.
Sometimes, before the men go out to fight,
To line up for destruction, they parade
Everything theyâve got of her, portraits
So ideal they take the breath away and leave
Their bearers reckless for castigation.
VI
Menelausâs Song
All that has gone is time
Elastic hours and nights at sea,
Around the fires fuelled with sticks
The goats left and the skeletons
Of passing ships. I tried to see you
As you were the night before our parting,
Those hours of astonishment, discovery and fear
So fleet beside these barren years.
All I can summon is the icon,
The flat ideal of beauty
Seen through anotherâs eye
And I dread the reuniting minutes,
You torn from your ruptured city
Wearing the lines and paint of exile
The resignation of a trophy handed back.
VII
Parisâ Song
You are a judge of course
As well as supplicant and victim,
So what will my sentence be?
A napier to your household,
Counting the cost, laundering,
Rinsing the unfortunate past
From your bright future
And all the distressing while
Acting as banker to your dreams.
VIII
The Soldierâs Song
She is so far away
I have never smelled her skin,
Felt the texture of her dress,
Once a voice sounded
James Patterson and Maxine Paetro