life.
âItâll get cold later this arvo,â Robin tells her. âYou got something to keep you warm?â
Evie throws a black woollen scarf around her neck. âIâll be home before then, unless I can be squeezed in at the hairdressers. I badly need a trim. Iâve definitely got a mullet happening.â
âDo you want me to ring them?â Robin offers.
âNo, donât worry.â Evieâs not sure how long thisâll take. But the hair excuse will buy her more time â if she needs it. âIâll just drop in there on my way home. See what happens.â
âWell, let us know if youâre going to be later than you think.â
âOkay, Mum.â She pecks her mother on the cheek. The open display of affection still makes her feel awkward. âBye, Dad.â
âWhereâs mine?â Nick points to his cheek. Kissing her father has always been easy. She blows him a kiss and sets off.
Off to the Venus Cuza Ladiesâ College of Modelling and Deportment.
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At least Evie knows exactly where sheâs going. She sits on the bus wondering what on earth sheâll say to Paris. Evie is certain Paris knows something. What, Evie canât begin to wonder, but, whatever it is, she senses itâs worse than she could ever imagine.
A multitude of thoughts swim round her brain. Evie can almost hear them swishing and colliding.
How will I start the conversation with Paris? I hope Mum didnât suspect. What will I do if Noraâs there? Will I be able to run in these slippers? I shouldnât have worn them. Bad move. I wonder if Victoriaâs called the oldies again â no, she wouldnât without telling me first. Would she? Three more stops. Just say Paris isnât there. Just say she tells me to piss off. I hate lying to Mum and Dad but theyâll freak out if they know. Is this always going to happen? I wish I was someone else. Ooh, nice jacket that guyâs wearing. How embarrassing, he just saw me checking him out. I like your jacket, not you, mate. Oh my god, weâre almost there. Shit, whatâll I say, whatâll I say?
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The Venus Cuza College stands alone on a corner. On one side of the street, shops and cafes buzz along with a spring Saturday morning in Sydney.
The smells of coffee, freshly toasted bread and bacon fat seem like theyâre coming from a different world. Couples hold hands, a mother chases her toddler down the street, and a table of friends lounge around enjoying their fry-up. Evie watches them, wishing she was one of them.
But Evieâs place is on the other side of the road where no sign or sound of life exists except for a man in white overalls painting a sign at the front of the college. Evie walks towards the building, her beaded slippers scuffing along on the pavement. She counts her steps â one, two, three, four, five, six, seven, eight ⦠The painter turns around.
âGâday,â he says. His accent sounds like the manâs she met at Victoriaâs. âSorry, you want to get past?â
As he steps away from the entrance, Evie sees thereâs a long set of stairs leading to another glass door.
âNo, no, itâs okay,â Evie answers. âIâm, um, waiting for someone.â
The man looks at his watch. âThe girls wonât be down for a while. Why donât you go up and wait?â
âNo ⦠Iâll ⦠Iâve got stuff to do,â Evie tells him. âWhat ⦠exact time do they finish ⦠again?â
âTwelve-thirty.â He swirls a fine brush in a tiny tin of paint. âMy daughterâs up there,â he grins. âShe does the Saturday class. Loves it.â
âOh.â
âIâm just doing a job for the owners. Nice new door and all.â
âUh huh.â
âVandals smashed in the old one the other night. Glass everywhere.â Carefully he draws a line on the glass with
Leonardo Inghilleri, Micah Solomon, Horst Schulze