designer shampoo, conditioner, and hair coloring stacked in glass cases behind them. A thirtyish, jowly woman sat at the front desk and didnât look up when I approached. Her short hair was colored several hues of yellow.
âName?â she said.
âTruman.â
She wrote it on a pink slip under a row of names that had been crossed out. âHaircut?â
I looked at the prices and gulped. It had been a long time since I cared what it cost to cut my hair. With my dwindling funds, IÂ was a little protective.
âYeah, just a cut today. I do my nails on Thursdays.â
âFifteen minutes,â she said.
I leaned on the counter and took off my sunglasses, waiting until she glanced up to speak. âAre you the owner?â
âIs there a problem?â she said, staring at the bandage on my cheek. In the mirror behind her I could see what a hideous sight my face had become.
âIâm just looking for whoâs been here the longest. Would that be you?â
âIâve been here a few years.â
âDo you remember Diana?â
A cloud came over her and she cocked her head. âYou here for a haircut or something else?â
âA little of both,â I said.
âA few more days and all of this will be over. Weâll finally have it behind us.â
I nodded. âYou were the witness at the trial, werenât you? You saw the whole thing.â
âNo, that was Wanda. But we donât talk about it. She gets upset.â
She went back to whatever she was doing and the ladies held their magazines. I smiled, though it hurt a lot more to smile than frown, disproving that saying about the muscles in your face.
A tall man was led to the front by the male hairdresser and they exchanged pleasantries. Either the sitting women were having their nails done or they were waiting on the female stylists because the man came toward me. He seemed not to notice my injury.
âIâm Dexter. Is this your first visit to Mane Street?â
âIt is. How long have you worked here?â
âGoing on four years,â Dexter said. He was a small man with a slight build and a pleasant face. He buttoned the cape around my neck and looked in the mirror, lifting his hands to my head as if preparing to sculpt a work of art. âSo what are we doing today?â
I love it when stylists talk in the first-person plural. âLetâs just do a three on the side and a five on top and call it good.â
He frowned. âReally? That drastic? Are you sure? A man with all your hair should show it off.â
âShorter means less gray,â I said. âPlus, itâll take the attention away from my face.â
He laughed. âIâm not sure any haircut could do that, my friend. All right, five on top, three on the sides, and Iâll blend a bit.â
He began the small talk dance of hairdressers and I wondered if they took Chitchat 101 in beauty school. Make a connection. Form a verbal bond.
âYou have the day off today?â he said.
âIâm actually working right now. On a project about the lady who used to work here. Diana.â
He turned off the clippers and stared at me in the mirror. âI thought I recognized you. Didnât you use to work forâoh, whatâs that news network . . . ?â
I told him and he snapped his fingers. âYes, Truman. The reporter. It fits.â He turned and looked at his coworkers. âWow, we have someone famous in the shop today.â He giggled and his eyes twinkled. âWerenât you the guy who got caught in that melee in San Francisco between all the protesters?â
I nodded. âYou have a good memory.â
He pursed his lips and rolled his eyes. âNo, I was there. What a night.â He told me much more than I wanted to know, but it was clear he really had been there.
âHow did you wind up in Tallahassee?â I said.
âSeries of life