how that would be an interpretation. But who was to say it was the right one?
âWell, thatâs the way I see it,â he replied. There was no embarrassment, no wavering in his voice. âBut someone else in a different place might see it another way. What do you see?â
I had to admit, after he pointed all of that out to me, the artwork started to come to life. The teardrops on top of the spike. The rubble on the ground, like artillery shells. It was like nothing Iâd ever experienced before.
I licked my lips and stared at him over the top of the sculpture. âI never would have seen that if you hadnât pointed it out.â
He shrugged, giving a shy smile. âDoesnât mean you wouldnât have seen something. And next time you see this piece, it might look different to you.â He stepped around and grabbed my fingers, and I almost stumbled from the feel of our skin, from holding hands. âThereâs more I want you to see.â
Matthew stayed close to me and took me to several of his favorite pieces. I could tell heâd been here a few times by the way he gushed about them. His enthusiasm was infectious. Though some of the stuff went right over my head, especially the one with doll heads glued to plastic cups.
âMy brother could make that in five minutes,â I said with a snort, staring down at the âartâ resting on a low table. âWhat could this possibly be saying?â
âLook closer. What do you notice about these doll heads?â
I furrowed my brow and scanned down the row. There had to be a hundred blond heads stuck in the cups. Then I saw one in the very back corner. It was a black dollâthe only one in the whole group of white dolls.
âThis piece makes me angry,â he said quietly. I heard the thread of strength in his voice. âThereâs a lot I see here. Race, of courseâhow monochromatic almost everything on here is. But also how fake and plastic we as a society have become.â He glanced at me. âWhat does this make you think about?â
I blinked and rubbed a hand on my upper chest, right undermy throat. Once he pointed it out, a bunch of contrasting emotions fluttered in my stomach. I picked a memory that flew right to the front of my mind. âMy mom gave me both black and white baby dolls as a little kid.â I paused. âIâve always been aware of race, of course. As a black girl, thatâs inevitable in our society. But the color of my friends has never mattered to my family.â
He crooked a grin. âI bet you were a cute kid.â
I shrugged. âI had a bit of a mouth. Always stubborn.â
âI believe that.â
I nudged him in the side, and he chuckled. Sometime over the last hour, the walls had slowly dropped between us. I could feel a difference already. Less hesitation when we spoke to each other. More honesty.
Matthew was smarter than Iâd given him credit for. Way smarter. Iâd seriously misjudged him, had assumed he was just a flake who didnât care about anything but sports. But he had lots of passion, and the skill to rouse that feeling in others. Even just walking around with him, I could feel his intensity about art.
Had I ever been that strongly vocal about anything I believed in?
Something about him sparked a feeling deep in my heart that I wasnât about to label yet. It made me uncomfortable, aware of myself, of him. All I knew was that despite my discomfort, I wanted to feel it more.
ChapterNine
H e and I walked a little more around the gallery wall in silence, taking in a series of similar paintings hanging on the far wall. They were a theme of colors. I stood there and just absorbed. Turned off my inner judgmental side and made myself stare at the image, let it present itself to me.
Then I noticed the pattern. The one square of red that made its way marching across the paintings. What did it mean?
I turned to him,
Marina Dyachenko, Sergey Dyachenko