Richmond Noir by Andrew Blossom

“El hombre a caballo.” The man on horseback. We’re only blocks from the statue, and he isn’t the first to note the resemblance, especially if I haven’t been eating enough fiber or I’ve just watched what passes for the evening news. I was once mistaken for a Lee reenactor while walking past the Confederate Chapel on my way out of the Virginia Museum of Fine Arts. The city’s full of memorials to the leaders of the armed rebellion against the legal authority of the United States—the same one nation under God indivisible that the devoted admirers of those memorials like to wax pious about with a mystifying lack of irony.
    The conversation turns to politics. They have questions about the Civil War. Mexicans understand revolutions, revolutionaries. They’re curious why the losers got the statues. It’s complicated, I tell them. Fortunately, they understand class and race too.
    I get a few odd glances from the people looking for workers. A neighbor from a few blocks away whose name I can’t recall spots me, and he seems genuinely alarmed to see me sitting on the fence with the Mexicans. I approach to reassure him or to offer to do light carpentry, I’m not sure which. He only knows me because dog and I used to walk by his house, but she hadn’t been able to make it that far in over a year.
    “How’s your dog?” he asks me. Of course he’s going to ask me. Everyone’s going to ask me. He just happens to be the first.
    “She died.”
    “I’m sorry to hear that.”
    “She lived a good life.”
    He tosses his head toward the workers. “You doing research for a story or something?”
    “We were just talking about the Civil War. Can’t become a true Richmonder, become assimilated as it were, without talking some Civil War trash, right?”
    It’s supposed to be a joke, but he doesn’t crack a smile. “Do any of these guys do tile work?”
    I get out of the way of commerce. Antonio, who’s hung around for the whole General Lee gringo show and looked stunned when I first showed him the pictures of the dead man, asks how old my dog was. “Quince,” I say. Fifteen.
    “My oldest sister,” he says in English. “She have a dog. In Kansas City. She crazy about that dog.”
    I give him the pictures of the dead man. I’ve written my phone number on the back. “I found him, okay? I pulled him out of the river. I have to do something. Maybe you know someone who knew him. Maybe someone else will know.”
    As I walk home through the Fan, the word sticks in my mind, a quick, stabbing chant, quince, quince, quince . When I get home there’s a message from my ex-reporter friend who kay-aked over to see the site only to find there’d been a bonfire, still smoldering. Teens, they’re saying, drinking, getting out of hand, or maybe homeless. Or illegals. Damn them all to hell!
    I walk through the house with a garbage bag, gathering up every tennis ball, veterinary prescription bottle, squeaky toy, busted leash, food dish, rawhide, etc., getting down on hands and knees if necessary until I’m sure I’ve found them all, then I put the bag in the trash can in the alley.
    My wife returns home from work desolate and exhausted from having to hold it together all day at some inane training about terrorism. We have a quick dinner, narrate the fragile bones of our days, and go to bed early. She wants to be more engaged by my story of trying to help the dead man, but neither one of us has anything left. “Be careful,” she says, and falls asleep. I lie awake awhile and finally get out of bed.
    A little after midnight my phone rings, and I take it. I’m at my computer, staring at the screen, at the Google photo of a time when the dead man was still alive. It’s Antonio with an address out Jeff Davis Highway, a trailer park. Can I come now? Some of the people I need to talk to just got off work. Others have to go in early. Two men are arguing in the background in rapid-fire Spanish too faint and fast for me to track.