Shadow Tag by Steve Berry, Raymond Khoury

1
    London, England
    “And to close, gentlemen … the question many of your fans have asked over the years. Are we ever going to see Sean Reilly and Cotton Malone together in a book?”
    It was a late September Saturday, and the two authors were seated side by side on a small podium in a quiet corner of the Olympia Conference Centre, the exhibition hall that was hosting the first London ThrillerFest. At a slight angle to them was their host for the Q&A session, a veteran British journalist who also wrote thrillers, albeit using a pseudonym. It had been a pleasant end to an enjoyable day. The interviewer, by virtue of being an insider, had asked questions that were engaging and challenging. The journalists and a few dozen fans in the audience, many of them clutching copies of both authors’ novels, had evidently also enjoyed the session.
    The attendance had been gratifying, given the heavy rain that had been drowning the city all week. Summers in London were schizophrenic, the weather often fluctuating wildly from day to day, sometimes going so far as to dip into all four seasons within the same day, if not the same hour. September was usually a more settled, calmer month—usually. Not this year, though. This year, September clearly forgot to take its meds.
    “Here’s the thing,” Steve Berry said. “Raymond and I, we’re all for it. But we can’t get Reilly and Malone to agree on the story.”
    “They can be real jerks sometimes,” Khoury added.
    The audience chuckled.
    “And why is that?” the interviewer asked, playing along.
    “You know how these guys are,” Berry said. “They’ve got massive egos. Each of them wants to be the genius that figures out how to decipher ‘the big clue’”—said with air quotes—“take out the bad guy and save the day.”
    “Whenever we bring it up,” Khoury added, “they’re like, ‘why does he get to do all the cool stuff,’ or ‘I should be the one doing that.’ Petty, right?”
    “Then there’s the whole issue of the cover.”
    “Whose face is on the left, whose name comes first in the blurb on the back cover. Downright embarrassing.”
    “And yet, they seem so noble and mature on the page,” the interviewer said.
    “That’s just the way we weave our magic,” Berry said, deadpan.
    More chuckles.
    “It takes prodigious talent, to be sure,” Khoury threw in. “Years of carefully honing our craft.”
    “Frankly, gentlemen, I’m surprised,” the interviewer noted. “I mean, surely you can get them to behave.”
    “You’d think, right? I don’t know where they get it from,” Khoury quipped, turning to Berry. “Do you?”
    “No clue,” Berry said with a smirk. “Might have to write some therapy sessions into the next book.”
    “So I take it we won’t be seeing them together anytime soon?” the interviewer asked.
    Berry looked at Khoury, paused—then they both turned to their host and smiled.
    “You’ll need to ask them,” Berry said.
    The audience chuckled again, and with that, the host ended the session by thanking his guests and the audience.
    After some brief chit-chat with a few fans who had approached them with books to sign and further questions to answer, the writers made their way through the vast, crowded hall.
    “So, tell me something,” Berry asked Khoury as they ambled towards the exit. “Ten years later … anything you’d have done differently with your book?”
    It had been ten years since the two authors’ Templar books had first come out, hitting the shelves within a few weeks of each other: Berry’s had been The Templar Legacy, and Khoury’s, The Last Templar. Both had been huge bestsellers. The synchronicity of the two works was entirely unexpected; each author had written his own book without knowing anything about what the other was working on. The end results, while dealing with the same theme, were very different, and instead of competing with each other, the books ended up fuelling the other’s success.