a meaningful look, but he waves it away and goes looking for Davida. She’s still in the alley, talking with a technician. We wait for her to finish, then Dervish nudges forward and asks if she knows where Emmet is. Says we want to congratulate him on his performance.
“Of course!” Davida cries. “Hell, I want to too. I plain forgot about him. That was amazing. I loved the final touch — the scream for help. It worked perfectly. No need for a second take. He’ll be getting the blood cleaned off, so —”
“No,” I interrupt. “We checked. He isn’t in makeup.”
“Oh. Then I guess...Hey, Chuda! Where’d Emmet get to?”
A tall, thin man without eyebrows steps forward. Chuda Sool, the first assistant director and Davida’s closest confidant. They’ve worked together on her last four films. He’s a quiet sort, keeps to the background, makes sure everything’s running smoothly, tries to head off problems before they bother Davida.
“There’s been a flare-up,” Chuda says softly. “Perhaps we should speak about it in private.”
“What are you talking about?” Davida snaps. “What happened?”
“Nora — Emmet’s mother — ran into Tump Kooniart after shooting,” Chuda says. “They had a huge argument. Tump said some very nasty things. He upset her. Nora grabbed Emmet, demanded a car, collected their belongings and . . .” Chuda shrugs.
“They left?” Davida barks. “Are you mad? Nobody leaves until shooting finishes. It’s in their contract. Get them back!”
“I can’t,” Chuda says. “When Nora calms down, maybe we can convince her to return, but —”
“She has no choice!” Davida barks. “She signed the contract. They have to stay on set for the duration.”
“You’re absolutely correct,” Chuda says patiently. “But she went anyway. You can withhold Emmet’s payment and maybe force them back that way, but for the time being...” He shrugs.
“Told you,” I mutter, glancing up at Dervish. Then I turn and walk off, not wanting to waste my time on more ridiculous excuses. Emmet’s dead, slaughtered by a demon. And if his mom’s missing, that means she was probably killed too. Time for Grubbs Grady to make an ultra-quick exit from Slawter!
“You can’t just walk off,” Dervish argues as I pack my bag. “Watch me.” I turn to Bill-E, who’s standing by his bed, blinking like a startled owl. “You’re coming too. I’m not leaving you to end up like Emmet.”
“It looks bad, especially as there’s no sign of Emmet,” Dervish says. “But we need to make sure. Chuda could have been telling the truth. Emmet’s mother —”
“Bull!” I snort. “There was no argument with Tump Kooniart. Chuda made that story up. Emmet was killed by a demon. His mom’s dead too, I guess. Chuda must be working for the demon, since he lied to cover up the truth. And I doubt if he’s the only one.”
“Wait a minute,” Bill-E splutters. “You believe that was a real demon? You think Emmet was really killed? Are you crazy?”
“Maybe,” I laugh shortly. “But if I am, I’m going to be crazy far, far away from Slawter. And you’re coming with me. I won’t leave you behind.” I look hard at Dervish. “I
won’t.
”
“OK,” Dervish sighs. “I won’t keep you here against your will. But you’re overreacting. Until we know for sure, we should —”
There’s a knock at the door. Juni Swan. “Can I come in?”
I go stiff. Is Juni working with Chuda Sool and the demon? Has she been sent to convince me that my imagination has run wild? I like Juni. I’d hate to think that she’s evil. But if she backs up Chuda’s story...
“I wanted to check that everything’s all right,” Juni says, eyeing the bag that I’m in the middle of packing.
“Did Chuda send you?” I ask tightly.
“No. I came because I heard you telling Dervish that Emmet had been killed by a real demon. I wanted to know what you meant.”
“I’d have thought that was
M. R. James, Darryl Jones