and walk over to the singer. I stand there right in front of him and he stops in the middle of a song.
âYeah?â he asks.
âYou know âOrnithologyâ?â
âNo, whoâs it by?â
âCharlie Parker.â
He looks at me, puzzled-like.
âCharlie Parker, the saxophone player.â
âI donât know him or the song.â
âIâll play it for you.â I walk to where Sid is sitting. People in the tavern are grumbling: âHey, what happened to the music?â âWhatâs the story here?â âLetâs have a song!â
âWhat you doing, boy?â Sid asks.
âIâm gonna play the song for him.â I pick up my phonograph and record off the floor. I walk back to the middle of the floor and Iâm looking around for an outlet.
âHey, friend,â the singer says, âwhy donât you wait until I finish this set? Iâll listen to it then.â
âWell, I donât see an outlet. I guess Iâll just have to play it on my horn.â I put the mouthpiece to my lips and start blowing. Iâm making a lot of honking sounds.
âSomebody make that drunk sit down!â someone shouts.
âTake that weapon away from him,â says another.
The singer pulls on my arm. âYouâre upsetting everybody.â
I stop playing and look into all the faces, annoyed and angry faces. I take my things and walk back to the bar.
Sid slaps my back. âThat was pitiful.â
The bartender puts a beer in front of me. âAinât you Craig Suder?â he asks.
I look at him for a long second and then I get up and walk out of the place.
Sid follows me out. âYou okay?â
âYeah.â
Sid slaps me on the shoulder with the back of his hand as two women thick with makeup walk past us into the bar. âYou see the way she looked at me?â
âNo.â
âSheâs got eyes for me.â
âYouâre imagining things. Letâs go.â
âNo, no, Iâve got to check this out.â Sid starts back into the bar. âCome on.â
âYou go on. I think Iâll head back to the boat.â
âSuit yourself.â He disappears into the tavern.
The whole house felt like it was shaking. I crawled over Martin and his bed to the window and saw a big truck parked out front.
âWhat is it?â Martin asked, sitting up in bed.
âA truck.â I slid into my slippers and ran downstairs.
Ma was standing at the open door in her coat, rubbing a dish towel over her hands.
âWhat is it?â I asked and I looked out into the yard and saw Daddy approaching the truck from his office. I ran out into the yard. âDaddy, what is it?â
Martin was out of the house now in pants and tee-shirt.
The men from the truck were pulling a great big piano out and down the ramp.
âWhatâs the piano for?â Martin asked.
âItâs Mr. Powellâs,â Daddy said. âHeâs going to be staying with us for a while.â
âWhy?â Martin asked.
Daddy watched the piano move past us toward the house. âHeâs taking a little rest here.â Daddy turned and walked back to his office.
Martin and I watched as the movers removed the legs of the piano and slipped it into the house. The big grand piano took up most of the living room and we had to detour clean around it to get to the stairs.
Martin and I sat on the stairs, looking down at the piano. âPretty neat, huh?â I said.
Martin didnât say anything.
âYou donât like Mr. Powell, do you?â
âI like him okay.â
Ma came into the living room and started polishing the piano.
âWhere are you going?â Daddy asked Ma.
Ma had her pocketbook and was by the door. âIâm going to a meeting.â
âWhat sort of meeting?â
âDr. McCoyâs Bible group.â
Daddyâs palm flew up against the door and he
David Lovato, Seth Thomas