himself. Surprised, Father Michael had glanced at him as he knelt, his profile fixed, his eyes closed. And suddenly he had felt a terrible unease. Without wanting to make it too apparent that he was moving away, the old priest had waited for a couple of seconds and then begun to slide along the pew. But he had only moved a little when the strangerâs hand reached out and gripped his wrist.
âA moment,â the man had said, still staring ahead at the altar. âI havenât finished praying.â
Father Michael had remained where he was, the stranger still holding on to his arm as he prayed, lips moving silently.Finally he had released his grip and slid back into the pew. Without looking at the old priest, he began talking again.
âYou know Nicholas Laverne.â
There was a momentâs hesitation, Father Michael being uncertain how to respond.
âYou
do
know Nicholas Laverne,â the big man had repeated, still staring ahead. And that had been the most chilling aspect of him â his refusal to make eye contact. âIâve seen him come here, so you must know him. He was a priest here once, under your guidance.â
âYes,â Father Michael had agreed reluctantly. âI know Nicholas Laverne.â
âHe was thrown out of the Church.â
âHe was excommunicated, yes.â
âAnd yet he came back to visit you after so long. Why was that?â
âHe can come back to see me at any time he wants. Nicholas has not been banished from here.â Afraid, the old priest had stared at the strangerâs profile. âWho are you?â
Carel Honthorst ignored him. âWhy did Nicholas Laverne come here, Father?â
âI donât have to talk to you. You have no right to question me.â
âAnd yet I am,â Honthorst had replied, turning his head slowly. In the dim light his eyes had fixed on an area just above the priestâs head. âThese are simple questions, Father. Nothing to worry you.â He had paused, then changed the subject. âYou know Holland?â
âA little.â
âHieronymus Bosch was a great painter.â His head had turned away again and he was staring up at the stained-glass window. âPeople copied him all the time. They say he was good at Hell.â Honthorst had paused, then tapped the old priestâs knee, a gesture that was at once both familiar and threatening. âTell me what Nicholas Laverne told you.â
âWe talked about the old daysââ
âI donât think so,â the Dutchman had retorted, glancing at his watch. âI donât have much time, so we must hurry our conversation. What did Nicholas Laverne tell you?â His large hands were resting on the back of the pew in front and a sigh escaped him. âTell me, or I will hurt you.â
Shaken, Father Michael had glanced around him. There had been no obvious escape route, and he was an old man who would have been easily out run. But despite his feelings of antagonism towards Nicholas Laverne, he hadnât wanted to betray him.
âNicholas and I talked about old times. Nothing more.â
Honthorstâs fist slammed into the priestâs stomach with all the force of a lump hammer. Buckling over, Father Michael had then felt the Dutchman tenderly straighten him up against the back of the pew, smoothing down his vestments. Then he had picked up the priestâs rosary and held it in front of Father Michaelâs face.
âTell me, or Iâll make you eat every one of these
beads
 â¦â His fingers had closed over the attached crucifix. âAnd then Iâll ram this down your throat.â
Terrified, Father Michael blurted out: âHe was asking about The Brotherhood of Mary.â
âAnd?â
âHe had a chain.â
âHe had a chain,â Honthorst had repeated. âNow weâre getting somewhere. What did he tell you about the
Jason Cordova, Christopher L. Smith