wearing glasses, so she only gets to look at the world through the smokescreen of her damaged sight; perhaps it’s a form of self-protection? That way she can see without really seeing and, more importantly, without knowing when she’s being watched.
I learn about the strange mechanics of her heart: a protective outer shell hides her mysterious lack of confidence, whereby low self-esteem is constantly vying with the sheer force of her determination. The sparks that fly when Miss Acacia sings are fiery splinters of the soul. She can project this confidence on stage, but as soon as the music stops the balance tilts the other way. I haven’t yet found the broken gear inside her.
The entry code to her heart changes every evening. Sometimes, the shell is as hard as a rock. I might try a thousand combinations in the form of caresses and comforting words, but I’m stuck at the door. What a treat when I do eventually crack the combination. To hear her tiny sigh of surrender, I gently blow and her outer shell flies off in a thousand pieces.
‘ How to tame a shooting star . That’s the instruction manual I need,’ I tell Méliès.
‘A handbook of pure alchemy, you mean . . . Ha! Shooting stars can never be tamed, my boy. Could you see yourself comfortably settled at home with a shooting star in a cage? Its blinding heat would set fire to the cage and burn you with it, you wouldn’t even get close to the bars.’
‘I don’t want to put her in a cage. I just want to give her more confidence.’
‘Pure alchemy, that’s right.’
‘Put it this way, I was dreaming of a love as great as Arthur’s Seat, and now I find that my bones are growing into a mountain range.’
‘You’re exceptionally lucky, you know, few people ever get near to that feeling.’
‘Perhaps, but now that I’ve tasted it, I can’t do without it. And when she holds back, I feel so empty.’
‘Just enjoy the fact that you’re experiencing so many emotions. I knew a shooting star once as well, and I can tell you those girls are like mountain weather: unpredictable. Even if Miss Acacia loves you, you’ll never be able to master her.’
We love each other secretly. Our combined age is no more than thirty. She’s the little singing girl, famous since childhood. I’m the outsider who works in the Ghost Train.
The Extraordinarium is like a village, where everybody knows everyone else and gossip travels fast. You get all types of people: jealous, affectionate, moralising, small-minded, brave, well-intentioned but intrusive.
I’d like to think I’m not the type to worry about what-people-might-say , especially if it means I get to kiss her for a little longer. Miss Acacia, on the other hand, can’t abide the idea of anybody finding out about our secret.
This state of affairs suited us rather well to begin with. We felt like pirates, and what kept us going was the magic of stowing away. But when love becomes something greater than its first intense moments, it sets off like a steamboat in a bath. We need space, more and more space . . . Much as we enjoy the moon, we want the sun too.
‘I’m going to kiss you in front of everybody,’ I tell her. ‘Nothing will happen to us.’
‘I’d like to kiss you in broad daylight too, and do the things everybody else does. But as long as people can’t see us, we’re safe from gossip. We’ll never live in peace again if someone like Brigitte discovers our secret.’
Of course, her sweet words are delicious; I’d happily slip them under my tongue. But I’m finding it harder and harder to watch her disappear into the chinks of the night, as dawn approaches. Her stilettos are like clock hands, beating out a rhythm as she heads off into the distance, triggering my insomnia. When day breaks, my back aches and the birds let me know how short a time I have left to sleep.
In a few months, our love has grown still more. The night is not enough for us. Send us sunlight and fresh air; we need
Jeffrey M. Schwartz, Sharon Begley