something for me, Camie?'
'Anything.'
Take care of my Tain.'
Tain was her youngest child. Carnelian nodded. 'I swear on my blood, Ebeny, that I'll keep him by me and look out for him as best I can. Have you forgotten Keal?'
'He's a man now. He can take care of himself. One last thing.' She reached her hands behind her neck. They undid a thong and drew an amulet out from her robe.
'Your Little Mother?' Carnelian looked at her uncertainly.
She held it out for him. 'Wear her for me.' 'But she's all you've left of your mother.' 'As she gave her to me, now I give her to you.' 'Why do you not give her to Tain, Keal, one of your sons?'
Tish! You're as much my son as they are. Besides, if she protects you, you'll be able to take care of my boys. Take her. She has power over water.'
'My father will disapprove of her.'
'Well then, wear her where he won't see her.'
Ebeny kissed the Littl e Mother and put it in his hand. The carved stone was all belly and breasts with stump limbs and head. Carnelian closed his fingers over her.
The next day he went off into the pavilions but found no solace. He climbed up into the East Tower to survey the leaden sea. There, where he had first seen the ship, he spat curses into the wind that she had ever come. He longed for the old comforts, the old certainties. Yet, although he tried to deny it, Osrakum was drawing him with her siren call.
Masked, he returned to the pillage to see it all: the fallen halls, the gaping windows, the blood-rusted cobbles. He went out from the Holdgate and stood against the parapet. Handcarts creaked down to the ship, his people strained under barrels and boxes. He wanted to rail at them that they were collaborating with their own rape. The compulsion froze him to that spot for fear of what he might do. The ship became the entire focus of his vision. She wallowed down there, gorging herself on the general misery.
At some point he became aware of an ache in his knees. He looked down. Brackish water had soaked up from the hem of his samite robe. The silk was discoloured, spoilt. He remembered what Grane had said. His people had had shame enough. As he turned away the robe swung against his legs like an apron of lead.
He went back to his room. He lit neither fire nor lamp but chose to brood in the blackness, his robes a nd mask discarded, staring sightl ess, letting the misery torrent through him.
When Tain crept into the room, he raked the ashes but there was no glow left to find. He fumbled for a lantern that they kept in a corner. It fluttered into life. He jumped back startled. Carnelian was sitting cross-legged, black eyes narrowed against the glare.
‘I’ll not go,' Tain cried at his ghostly brother. ‘I’ll not leave my mother here, nor all the others. I'd rather die with them.'
Through the glare Carnelian could vaguely see that Tain's eyes were red and swollen. 'If I go, you'll go,' he said. He had neither love nor energy left to put any caring into his voice.
Tain stared at him blankly for a while and then ran away. Carnelian felt nothing. It was as if the winter had numbed him to the heart.
Later, a blindman brought him a casket of leather, ribbed and water-stained, which he put into Carnelian's hands. The Master bade me tell his son that he should attend him in his hall attired in the robe that has now been given to him.'
Carnelian asked him to leave one of his escort behind and then sent the man off to find Tain. When he looked round, the blindman had gone. Carnelian took the casket near the window to look at it. Outside, the twilight seemed to be sucking its darkening up from the sea.
When Tain arrived, Carnelian had already pulled the cloth out from the casket. It was the colour of spring leaves. It did not seem a robe at all, even though it had the hollow tubes for arms. The central band was plainly woven silk. The edges were brocaded in panels and fringed with eyes and hooks of copper. Carnelian ran his fingers over one of the panels. He