eye contact with her, focusing on her left shoulder, her forehead, something past her. Wiry â too skinny to be a cop, she thinks.
âDid you see ⦠?â
He nods, a rapid-fire jiggle of his chin that seems to go on and on. âI brought him in â me and my partner.â
âCan you take me to see him?â
Clears his throat, then clears it again. âNo.â
âPlease, I have to â please.â
âLook, itâs not that I donât want to, itâs just ⦠â He looks back down the hall. âOkay, you canât say anything about this â they donât want it getting out yet, but ⦠â His voice lowering to a hiss. âThe bodyâs gone.â
âGone ⦠â
âYeah.â
âWhere did it go?â
âUh, weâre not sure. Somebody may have stolen it. Or ⦠â
âOr what?â
âTheyâve got people on it â itâs only a matter of time.â
âSo I should just wait?â
âUh, yeah ⦠yeah.â
âThanks.â And she goes quickly this time, a quick break to the doors, back home to get ready for work, waiting tables, waiting for the shift to end, waiting in bed for the sound of the door opening, waiting to hear her son come in, or waiting not to hear anything.
âWait.â
She turns. The short cop jabs behind him with his thumb. âI just gotta grab my keys.â
The screech of metal and the back doors of the van come open. The cop steps back for Martha, but thereâs nothing for her to see. He points. âHe was right there.â
âShow me.â
He looks around the lot nervously, like heâs forgotten heâs a police officer. âLook, Iâm in a lotta shit as it is.â
âPlease.â
He sighs and grunts his way into the back of the van. He offers a hand, but Marthaâs ditched her cigarette and is already scrabbling in after him. He goes to the small slot that looks into the cab and picks at it, checking something, then comes back. He crouches and puts his hand on the floor, looks up at Martha.
âGo on.â
He plops on his ass and then slowly lies back, stretching out, squirming a little to one side to make sure heâs in the right place. With him all laid out like that, Martha can see a dark stain underneath his head. And they donât move and they donât say anything for a while.
So sheâs there staring down at the copâs face, his eyes fixed past her on the ceiling, her trying to picture this being Van, lying there, naked and dead. His ears sticking out with that goofy grin he took to the grave and all that hair, like some kind of big monkey, the monkey on the placemat. Year of the monkey. The year she was born, the year Slim was born, the year Van left. These markers in her life, divided by a rhythm, every tick bringing some new disaster. The next tick the end of the world maybe, and her waiting around for it. Vanâll come back kickin through the screen door, I got that milk , and theyâll laugh and theyâll all go back to the way it was, exactly the way it was, without the yelling and the name calling and the door slamming and the rest of it. Just the good stuff. Just the roses.
Itâs the flash of a squad car on its way out that brings Martha around, quickly slipping out of the van, pulling out her pack for her second-last cigarette to find it empty.
âMan, itâs really coming down now, eh?â The doors slam closed. They both lean against the side of the van. âNever wouldâve found him in this. Heâd be out there till spring maybe.â
âHe never could sit still.â
He does the clearing-his-throat thing again, like the words are hard to bring up. âWhat made you think it was him?â
She shrugs because no one really knows anything, least of all about themselves. âIâve gotta get ready for work.â
âWhere