identification.â
âWho is it?â
âI know what youâre thinking.â Bean sprouts hanging out of her mouth. âBut itâs not him.â
âYou donât know that.â
âYou know what you are, Martha â obsessed .â Waving the dying inch of her eggroll like a sceptre. âAnd if it is him â yâknow what? Iâd be glad. Because maybe then you could get some closure â closure on these last seven years, closure on the whole thing.â Closure like some sort of buzzword she heard on Donahue last week and been dying to use, closure like the screen door banging when Van walked out of it that day he got into his car and took off for the store, closure like the screen door banging when Slim walks out of it every morning, screen door banged so much the hingeâs gone off and it doesnât close at all anymore, hangs open just that little bit, just enough to let the ants in, like the screen door on her insides hanging halfway between open and closed. That monkey smiling up at her from the placemat, wrinkling as she drops a couple of tears down onto its stupid face. Just a couple to let her know sheâs still got them.
âI want to go see him.â
Lucy spitting eggroll. âWhat?â
âI need to see if itâs him.â
âFuckâs sake, Martha, we are not going down to the police station so you can look at a dead person. Thatâs sick, is what it is. Now sit down, wipe your face and get ready for a nice lunch with a nice man.â
âHeâs not coming.â The staircase is silent, the few lunchers starting to head back to work. âNobodyâs coming.â
âCould you just wait.â
âSure.â Martha grabs her purse. âItâs all I do.â Leaves her there with the two pints and all that grease on her lips.
Out into the snow, down Elm and over Lisgar and on down Larch to the police station, up to the counter where Martha stands until the thick-necked officer gives her the now-what look and says, âYeah?â
âIâm here to see the body.â
âWho?â
âThe body that came in this morning from 17.â
âMaâam.â He takes off his glasses like this is causing him some extreme pain. âI donât know where you heard that, but I canât discuss the details of a criminal investigation.â
âThatâs fine. I donât want to discuss it, I want to see it.â
âMaâam, are you a reporter?â
âNo, Iâm ⦠Iâm the wife.â
âMaâam.â That word having less and less kindness to it. âYou can wait to see if the detectiveâll talk to you, but itâll be a while.â He nods at the plastic chairs against the wall.
âIâm not waiting.â She fights to keep her voice steady. Breathe.
âMaâam, Iâm going to ask you to step away from the counter.â
âIâm not.â And she turns and walks back down the hallway, stopping halfway, next to the coffee maker, leaning against the wall thinking, I canât go back. I canât go on.
âHeard you talking to Officer Friendly back there.â A smile. A short man pouring coffee in a styrofoam cup, tossing whitener into it. Blue uniform pants, white undershirt. Salt-and-pepper hair. âCoffee?â
âNo thanks.â
âWhat â you donât like the taste of dishwater?â He chuckles at his own joke, tearing open four sugar packs at once, spilling granules all over the place.
She pulls out her second-last cigarette and looks through her pockets. Stupid lighter. Scratch of a match and the short man lights it for her.
âLook, I donât want to put my nose in, but I heard you say you were ⦠his wife?â
She really looks at him, blowing on his coffee even though sheâs sure itâs been sitting there so long itâs lukewarm at best. He wonât make
Janwillem van de Wetering