with Mozart's Requiem and the finale of the Gotterdammerung.' He smiled at me, showing his strange teeth. 'Die, if you prefer it.'
However, he had reckoned completely without Lorraine Drexel.
At six o'clock the next morning I was woken by the noise. The statue was now fifty feet long and crossing the flower beds on either side of the garden. It sounded as if a complete orchestra were performing some Mad Hatter's symphony out in the centre of the lawn. At the far end, by the rockery, the sonic cores were still working their way through the Romantic catalogue, a babel of Mendelssohn, Schubert and Grieg, but near the veranda the cores were beginning to emit the jarring and syncopated rhythms of Stravinsky and Stockhausen.
I woke Carol and we ate a nervous breakfast.
'Mr Hamilton!' she shouted. 'You've got to stop it!' The nearest tendrils were only five feet from the glass doors of the veranda. The largest limbs were over three inches in diameter and the pulse thudded through them like water under pressure in a fire hose.
When the first police cars cruised past down the road I went into the garage and found the hacksaw.
The metal was soft and the blade sank through it quickly. I left the pieces I cut off in a heap to one side, random notes sounding out into the air. Separated from the main body of the statue, the fragments were almost inactive, as Dr Blackett had stated. By two o'clock that afternoon I had cut back about half the statue and got it down to manageable proportions.
'That should hold it,' I said to Carol. I walked round and lopped off a few of the noisier spars. 'Tomorrow I'll finish it off altogether.'
I wasn't in the least surprised when Raymond called and said that there was no trace anywhere of Lorraine Drexel.
At two o'clock that night I woke as a window burst across the floor of my bedroom. A huge metal helix hovered like a claw through the fractured pane, its sonic core screaming down at me.
A half-moon was up, throwing a thin grey light over the garden. The statue had sprung back and was twice as large as it had been at its peak the previous morning. It lay all over the garden in a tangled mesh, like the skeleton of a crushed building. Already the advance tendrils had reached the bedroom windows, while others had climbed over the garage and were sprouting downwards through the roof, tearing away the galvanized metal sheets. - All over the statue thousands of sonic cores gleamed in the light thrown down from the window. At last in unison, they hymned out the finale of Bruckner's Apocalyptic Symphony.
I went into Carol's bedroom, fortunately on the other side of the house, and made her promise to stay in bed. Then I telephoned Raymond Mayo. He came around within an hour, an oxyacetylene torch and cylinders he had begged from a local contractor in the back seat of his car.
The statue was growing almost as fast as we could cut it back, but by the time the first light came up at a quarter to six we had beaten it.
Dr Blackett watched us slice through the last fragments of the statue. 'There's a section down in the rockery that might just be audible. I think it would be worth saving.'
I wiped the rust-stained sweat from my face and shook my head. 'No. I'm sorry, but believe me, once is enough.'
Blackett nodded in sympathy, and stared gloomily across the heaps of scrap iron which were all that remained of the statue.
Carol, looking a little stunned by everything, was pouring coffee and brandy. As we slumped back in two of the deck chairs, arms and faces black with rust and metal filings, I reflected wryly that no one could accuse the Fine Arts Committee of not devoting itself wholeheartedly to its projects.
I went off on a final tour of the garden, collecting the section Blackett had mentioned, then guided in the local contractor who had arrived with his truck. It took him and his two men an hour to load the scrap - an estimated ton and a half - into the vehicle.
'What do I do with it?' he asked as